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100   $a20120201d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe vampire film $eundead cinema /$fJeffrey Weinstock
210  1$aLondon ;$aNew York :$cWallflower,$d2012.
215   $a1 online resource (153 p.)
225 1 $aShort cuts ;$v48
300   $aDescription based upon print version of record.
311   $a0-231-16201-4 
320   $aIncludes filmography (pages 130-133).
320   $aIncludes bibliographical references (pages 134-138) and index.
327   $aIntroduction : vampire cinema -- Vampire sex -- Vampire technology -- Vampire otherness -- Code : vampirising genre.
330   $aThis introductory volume offers an elegant analysis of the enduring appeal of the cinematic vampire. From Georges Me?lie?s' early cinematic experiments to Twilight and Let the Right One In, the history of vampires in cinema can be organised by a handful of governing principles that help make sense of this movie monster's remarkable fecundity. Among these principles are that the cinematic vampire is invariably about sex and the vexed human relationship with technology, and that the vampire is always an overdetermined body condensing what a culture considers other. This volume includes in-depth st
410  0$aShort cuts (London, England) ;$v48.
606   $aVampire films$xHistory and criticism
606   $aMonster films$xHistory and criticism
608   $aElectronic books.
615  0$aVampire films$xHistory and criticism.
615  0$aMonster films$xHistory and criticism.
676   $a791.43675
700   $aWeinstock$b Jeffrey Andrew$0952185
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462676803321
996   $aThe vampire film$92200929
997   $aUNINA