LEADER 02156nam 2200541 a 450 001 9910462659503321 005 20200520144314.0 010 $a0-8108-8551-4 035 $a(CKB)2670000000358237 035 $a(EBL)1203967 035 $a(SSID)ssj0000886688 035 $a(PQKBManifestationID)12451751 035 $a(PQKBTitleCode)TC0000886688 035 $a(PQKBWorkID)10835285 035 $a(PQKB)11320570 035 $a(MiAaPQ)EBC1203967 035 $a(Au-PeEL)EBL1203967 035 $a(CaPaEBR)ebr10714439 035 $a(CaONFJC)MIL492639 035 $a(OCoLC)844939383 035 $a(EXLCZ)992670000000358237 100 $a20130205d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSing us a song, piano woman$b[electronic resource] $efemale fans and the music of Tori Amos /$fAdrienne Trier-Bieniek 210 $aLanham, Md. $cScarecrow Press$d2013 215 $a1 online resource (186 p.) 300 $aDescription based upon print version of record. 311 $a0-8108-8550-6 320 $aIncludes bibliographical references and index. 330 $aSing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos explores the many-layered relationships female fans build with feminist musicians in general and with Tori Amos, in particular. Using original interview research with more than forty fans of Tori Amos, multiple observer-participant experiences at Amos's concerts, and critical content analysis of Amos's lyrics and larger body of work, Adrienne Trier-Bieniek utilizes a combination of gender, emotions, music, and activism to unravel the typecasts plaguing female fans. Trier-Bi 606 $aFeminism and music 606 $aPopular music fans 608 $aElectronic books. 615 0$aFeminism and music. 615 0$aPopular music fans. 676 $a782.42166092 700 $aTrier-Bieniek$b Adrienne M$0928186 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462659503321 996 $aSing us a song, piano woman$92085840 997 $aUNINA