LEADER 05571nam 2200733 a 450 001 9910462612903321 005 20200520144314.0 010 $a0-8122-0838-2 024 7 $a10.9783/9780812208382 035 $a(CKB)2670000000418376 035 $a(OCoLC)857645993 035 $a(CaPaEBR)ebrary10748967 035 $a(SSID)ssj0001036572 035 $a(PQKBManifestationID)11556926 035 $a(PQKBTitleCode)TC0001036572 035 $a(PQKBWorkID)11059289 035 $a(PQKB)10456303 035 $a(MiAaPQ)EBC3442247 035 $a(OCoLC)867740075 035 $a(MdBmJHUP)muse27239 035 $a(DE-B1597)449763 035 $a(OCoLC)922638863 035 $a(DE-B1597)9780812208382 035 $a(Au-PeEL)EBL3442247 035 $a(CaPaEBR)ebr10748967 035 $a(CaONFJC)MIL682530 035 $a(EXLCZ)992670000000418376 100 $a20130903d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aParrots and nightingales$b[electronic resource]$etroubadour quotations and the development of European poetry /$fSarah Kay 205 $a1st ed. 210 $aPhiladelphia, Pa. $cUniversity of Pennsylvania Press$dc2013 215 $a1 online resource (473 p.) 225 0 $aThe Middle Ages Series 225 0$aMiddle Ages series 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-322-51248-5 311 $a0-8122-4525-3 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tNote on References, Translations, and Abbreviations --$tIntroduction: Quotation, Knowledge, Change --$tChapter 1. Rhyme and Reason: Quotation in Raimon Vidal de Besalú?s Razos de trobar and the Grammars of the Vidal Tradition --$tChapter 2. Quotation, Memory, and Connoisseurship in the Novas of Raimon Vidal de Besalú --$tChapter 3. Starting Afresh with Quotation in the Vidas and Razos --$tChapter 4. Soliciting Quotation in Florilegia: Attribution, Authority, and Freedom --$tChapter 5. The Nightingales? Way: Poetry as French Song in Jean Renart?s Guillaume de Dole --$tChapter 6. The Parrots? Way: The Novas del papagai from Catalonia to Italy --$tChapter 7. Songs Within Songs: Subjectivity and Performance in Bertolome Zorzi (74.9) and Jofre de Foixà (304.1) --$tChapter 8. Perilous Quotations: Language, Desire, and Knowledge in Matfre Ermengau?s Breviari d?amor --$tChapter 9. Dante?s Ex- Appropriation of the Troubadours in De vulgari eloquentia and the Divina commedia --$tChapter 10. The Leys d?amors: Phasing Out the antics troubadors and Ushering in the New Toulousain Poetics --$tChapter 11. Petrarch?s ?Lasso me?: Changing the Subject --$tConclusion --$tAppendices --$tNotes --$tBibliography of Printed and Electronic Sources --$tIndex --$tAcknowledgments 330 $aThe love songs of Occitan troubadours inspired a rich body of courtly lyric by poets working in neighboring languages. For Sarah Kay, these poets were nightingales, composing verse that is recognizable yet original. But troubadour poetry also circulated across Europe in a form that is less well known but was more transformative. Writers outside Occitania "ed troubadour songs word for word in their original language, then commented upon these excerpts as linguistic or poetic examples, as guides to conduct, and even as sources of theological insight. If troubadours and their poetic imitators were nightingales, these "ation artists were parrots, and their practices of excerption and repetition brought about changes in poetic subjectivity that would deeply affect the European canon. The first sustained study of the medieval tradition of troubadour "ation, Parrots and Nightingales examines texts produced along the arc of the northern Mediterranean?from Catalonia through southern France to northern Italy?through the thirteenth century and the first half of the fourteenth. Featuring extensive appendices of over a thousand troubadour passages that have been "ed or anthologized, Parrots and Nightingales traces how "ations influenced the works of grammarians, short story writers, biographers, encyclopedists, and not least, other poets including Dante and Petrarch. Kay explores the instability and fluidity of medieval textuality, revealing how the art of "ation affected the transmission of knowledge and transformed perceptions of desire from the "courtly love" of the Middle Ages to the more learned formulations that emerged in the Renaissance. Parrots and Nightingales deftly restores the medieval tradition of lyric "ation to visibility, persuasively arguing for its originality and influence as a literary strategy. 410 0$aMiddle Ages series. 606 $aProvenc?al literature$xHistory and criticism 606 $aTroubadour songs$xHistory and criticism 606 $aQuotations in literature$xHistory and criticism 606 $aEuropean poetry$xProvenc?al influences$xHistory and criticism 608 $aElectronic books. 615 0$aProvenc?al literature$xHistory and criticism. 615 0$aTroubadour songs$xHistory and criticism. 615 0$aQuotations in literature$xHistory and criticism. 615 0$aEuropean poetry$xProvenc?al influences$xHistory and criticism. 676 $a849/.1009 700 $aKay$b Sarah$0168347 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462612903321 996 $aParrots and nightingales$91553366 997 $aUNINA