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035   $a(PQKBTitleCode)TC0000873480
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035   $a(OCoLC)842882013
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100   $a20180706d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe film handbook /$fMark de Valk with Sarah Arnold
210  1$aLondon ;$aNew York :$cRoutledge,$d2013.
215   $a1 online resource (688 p.)
225 1 $aMedia Practice
300   $aDescription based upon print version of record.
311   $a0-415-55761-5 
311   $a0-415-55760-7 
320   $aIncludes bibliographical references and index.
327   $aCover; Title Information; Title Page; Copyright Page; Table of Contents; List of Figures; Notes on Contributors; Acknowledgements; Foreword; Introduction; Part I Film Language and Aesthetic; 1 Renaissance of (Digital) Film; 2 Developing Mise en Sce?ne; 3 Directing the Actor; 4 Cinematography: Painting with Motion; 5 Sound Underpinning Image; 6 Editing: Temporality and Structure; Part II Film Theory in Practice; 7 Reading the Screen; 8 Spectatorship and Audience; 9 Contemporary Cinema; 10 Eisenstein and Bazin: Formalism and Realism, Two Modes of Practice; 11 Genre
327   $aPart III Guerrilla Filmmaking: Practice as Subversion12 Experimentation and the Short Film Format; 13 Working with Non-Professional Actors; 14 The Avant-Garde, Subtext, and Symbolism; 15 Documentary as Resistance; Part IV Persistence of Vision; 16 Screenwriting: From Script to Screen; 17 Soundtracks: Using Music in Film; Part V Merging and Emerging Media: Developing a Professional Specialism; 18 Post-Film: Technology and the Digital Film; 19 Post-Film: Production, Distribution, and Consumption in the Digital Age; 20 Mapping a Career Path; Glossary; Bibliography; Filmography; Index
330   $aThe Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for today's 'digital film' productions. It reflects on how critical analysis' of film underpins practice and story, and how developing an autonomous 'vision' will best aid student creativity. The Film Handbook offers practical guidance on a range of traditional and independent 'guerrilla' film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professio
410  0$aMedia practice.
606   $aMotion pictures$xProduction and direction
608   $aElectronic books.
615  0$aMotion pictures$xProduction and direction.
676   $a791.4302/3
700   $aDe Valk$b Mark.$0975947
701   $aArnold$b Sarah$f1980-$0975948
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462603003321
996   $aThe film handbook$92222377
997   $aUNINA