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100   $a20180727d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aStanislavski $ethe basics /$fby Rose Whyman
205   $aFirst edition.
210  1$aBoca Raton, FL :$cRoutledge, an imprint of Taylor and Francis,$d2013.
215   $a1 online resource (209 p.)
225 0 $aThe basics
300   $aDescription based upon print version of record.
311   $a0-415-49297-1 
311   $a0-415-49294-7 
320   $aIncludes bibliographical references and index.
327   $aStanislavski's life and context -- An actor's work: basic training -- Attention, muscular release, sense and emotion memory, action, justification, experiencing -- An actor's work: analysis of the play -- If and given circumstances, bits and tasks, supertask, truth and belief, method of physical actions, active analysis -- An actor's work: consolidation and spontaneity -- Imagination, adaptation, communication, here, today, now, through-line, subtext -- An actor's work: embodiment of the role: training the body and voice, outer characteristics, the finishing touches, tempo-rhythm, perspective, logic and sequence, control and finish, I am being -- Stanislavski's legacy and influence.
330 3 $aStanislavski: The Basics is an engaging introduction to the life, thought and impact of Konstantin Stanislavski. Regarded by many as a great innovator oftwentieth century theatre, this book examines Stanislavski's:ideas in practical contextsimpact on modern theatrelife and the context of his writingsmajor works in English translationWith further reading throughout, a glossary of terms and a comprehensive chronology, this text makes the ideas and theories of Stanislavski available to an undergraduate audience.
410  4$aThe Basics
606   $aPERFORMING ARTS / Acting & Auditioning$2bisacsh
606   $aActing
608   $aElectronic books.
615  7$aPERFORMING ARTS / Acting & Auditioning.
615  0$aActing.
676   $a792.02/8092
676   $aB
700   $aWhyman$b Rose$0911887
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910462601503321
996   $aStanislavski$92042023
997   $aUNINA