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200 10$aLucan and the sublime $epower, representation and aesthetic experience /$fHenry J.M. Day$b[electronic resource]
210  1$aCambridge :$cCambridge University Press,$d2013.
215   $a1 online resource (x, 262 pages) $cdigital, PDF file(s)
225 1 $aCambridge classical studies
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a1-107-02060-3 
320   $aIncludes bibliographical references and indexes.
327   $aIntroduction -- 1. The experience of the sublime -- 2. Presentation, the sublime and the Bellum Civile -- 3. The Caesarian sublime -- 4. The Pompeian sublime -- Epilogue.
330   $aThis is the first comprehensive study of the sublime in Lucan. Drawing upon renewed literary-critical interest in the tradition of philosophical aesthetics, Henry Day argues that the category of the sublime offers a means of moving beyond readings of Lucan's Bellum Civile in terms of the poem's political commitment or, alternatively, nihilism. Demonstrating in dialogue with theorists from Burke and Kant to Freud, Lyotard and Ankersmit the continuing vitality of Longinus' foundational treatise On the Sublime, Day charts Lucan's complex and instructive exploration of the relationship between sublimity and ethical discourses of freedom and oppression. Through the Bellum Civile's cataclysmic vision of civil war and metapoetic accounts of its own genesis, through its heated linguistic texture and proclaimed effects upon future readers and, most powerfully of all, through its representation of its twin protagonists Caesar and Pompey, Lucan's great epic emerges as a central text in the history of the sublime.
410  0$aCambridge classical studies.
517 3 $aLucan & the Sublime
606   $aSublime, The, in literature
615  0$aSublime, The, in literature.
676   $a873/.01
700   $aDay$b Henry J. M.$f1981-$01035709
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910462594303321
996   $aLucan and the sublime$92455551
997   $aUNINA