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100   $a20180706e20162013  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aEmulation on the Shakespearean stage /$fVernon Guy Dickson, Florida International University, USA
210  1$aLondon :$cRoutledge,$d2016.
215   $a1 online resource (210 p.)
225 1 $aStudies in performance and early modern drama
300   $aFirst published 2013 by Ashgate Pub.
311   $a1-317-14410-4 
311   $a1-4094-6928-X 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; Acknowledgements; Preface; 1 "Emulation hath a thousand sons": Emulative Rhetorics in Renaissance England; 2 "A pattern, precedent, and lively warrant"; 3 "Suit the action to the word"; 4 "I am what you should be"; 5 "Act[ing] an orators part"; Afterword: Emulation's "thousand sons" and Roman Influence: Conclusions and Implications; Bibliography; Index
330   $aUsing the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics, this study analyzes the conflicted uses of emulation in the period. The author also reassesses and nuances our understanding of the roles and significance of emulation in the Renaissance. Among the individual texts examined here are Shakespeare's Titus Andronicus and Hamlet, Jonson's Catiline, and Massinger's The Roman Actor.
410  0$aStudies in performance and early modern drama.
606   $aImitation in literature
606   $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism
608   $aElectronic books.
615  0$aImitation in literature.
615  0$aEnglish drama$xHistory and criticism.
676   $a822.3/3
700   $aDickson$b Vernon Guy.$0893331
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462571303321
996   $aEmulation on the Shakespearean stage$91995572
997   $aUNINA