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200 00$aStael's philosophy of the passions$b[electronic resource] $esensibility, society, and the sister arts /$fedited by Tili Boon Cuille and Karyna Szmurlo
210   $aLanham, MD $cBucknell University Press$d2013
215   $a1 online resource (347 p.)
225 0 $aTransits literature, thought & culture
300   $aDescription based upon print version of record.
311   $a1-61148-636-X 
311   $a1-61148-472-3 
320   $aIncludes bibliographical references and index.
327   $aCONTENTS; LIST OF ILLUSTRATIONS; ACKNOWLEDGMENTS; INTRODUCTION: SETTING THE STAGE; PartI. THE POLITICS OF THE PASSIONS; Ch01. THE MOTHER, THE DAUGHTER, AND THE PASSIONS; Ch02. THE VIRTUOUS PASSION: THE POLITICS OF PITY IN STAE?L'S THE INFLUENCE OF THE PASSIONS; Ch03. PASSIONS, POLITICS, AND LITERATURE: THE QUEST FOR HAPPINESS; Ch04. MELANCHOLY IN THE PURSUIT OF HAPPINESS: CORINNE AND THE FEMME SUPE?RIEURE; PartII. INTERNATIONAL AESTHETICS; Ch05. THE PERIPHERAL HEROINE TAKES CENTER STAGE: FROM OWENSON'S NATIONAL TALE TO STAE?L'S EUROPEAN GENRE
327   $aCh06. ETHNOGRAPHY AND AUTOETHNOGRAPHY: COSMOPOLITANISM IN CORINNE OU L'ITALIECh07. LIQUID UNION: LISTENING THROUGH TEARS AND THE CREATION OF COMMUNITY IN CORINNE; Ch08. AEOLIAN TRANSLATION: THE AESTHETICS OF MEDIATION AND THE JOUISSANCE OF GENRE; Ch09. BRITISH LEGACIES OF CORINNE AND THE COMMERCIALIZATION OF ENTHUSIASM; PartIII. PHILOSOPHY AND THE ARTS; Ch10. THE POWER TO CORRUPT: A STAE?LIAN PERSPECTIVE ON THE FINE ARTS; Ch11. THE MANY FACES OF GERMAINE DE STAE?L; Ch12. STAE?L, CORINNE, AND THE WOMEN COLLECTORS OF NAPOLEONIC EUROPE
327   $aCh13. GERMAINE DE STAE?L DEFINES ROMANTICISM, OR THE ANALOGY OF THE GLASS HARMONICACh14. BETWEEN IDEAL AND PERFORMANCE: CORINNE IN FEMALE-AUTHORED SINGER NARRATIVES OF THE 1830S; BIBLIOGRAPHY; INDEX; ABOUT THE CONTRIBUTORS
330   $aOur volume examines the philosophical, political, and personal convictions that informed Stae?l's theory of the passions and the social and aesthetic innovations to which it gave rise. Moving from her affective theory to her literary practice, we explore Stae?l's transformative influence on the communities of women artists she fostered. Her cosmopolitanism consisted in transcending traditional distinctions between emotion and cognition, pleasure and pain, genders and genres, languages and cultures, Classicism and Romanticism, melancholy and enthusiasm.
606   $aFrench literature$y19th century$xHistory and criticism
607   $aFrance$xIntellectual life$y19th century
608   $aElectronic books.
615  0$aFrench literature$xHistory and criticism.
676   $a848/.609
701   $aCuille?$b Tili Boon$0920897
701   $aSzmurlo$b Karyna$0920898
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462561003321
996   $aStael's philosophy of the passions$92065489
997   $aUNINA