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010   $a9786613814852
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100   $a20111107d2012      uy             0
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135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCinema of choice$b[electronic resource] $eoptional thinking and narrative movies /$fNitzan Ben Shaul
205   $a1st ed.
210   $aNew York $cBerghahn Books$d2012
215   $a1 online resource (198 p.)
300   $aDescription based upon print version of record.
311   $a1-78238-904-0 
311   $a0-85745-591-5 
320   $aIncludes bibliographical references and index.
320   $aIncludes filmography.
327   $aIntroduction -- Closed mindedness in movies -- Failed alternatives to optional thinking -- Optional thinking in movies -- Conclusion.
330   $aStandard Hollywood narrative movies prescribe linear narratives that cue the viewer to expect predictable outcomes and adopt a closed state of mind. There are, however, a small number of movies that, through the presentation of alternate narrative paths, open the mind to thoughts of choice and possibility. Through the study of several key movies for which this concept is central, such as Sliding Doors, Run Lola Run, Inglourious Basterds, and Rashomon, Nitzan Ben Shaul examines the causes and implications of optional thinking and how these movies allow for more open and creative possibilities. 
606   $aMotion pictures$xPhilosophy
606   $aMotion picture audiences$xPsychology
606   $aMotion pictures$xPsychological aspects
608   $aElectronic books.
615  0$aMotion pictures$xPhilosophy.
615  0$aMotion picture audiences$xPsychology.
615  0$aMotion pictures$xPsychological aspects.
676   $a791.4301
700   $aBen-Shaul$b Nitzan S$01037465
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462526703321
996   $aCinema of choice$92458474
997   $aUNINA