LEADER 02438nam 2200541Ia 450 001 9910462524903321 005 20200520144314.0 010 $a1-283-63931-9 010 $a0-8108-8573-5 035 $a(CKB)2670000000275411 035 $a(EBL)1037812 035 $a(SSID)ssj0000756106 035 $a(PQKBManifestationID)12295217 035 $a(PQKBTitleCode)TC0000756106 035 $a(PQKBWorkID)10732666 035 $a(PQKB)10004133 035 $a(MiAaPQ)EBC1037812 035 $a(Au-PeEL)EBL1037812 035 $a(CaPaEBR)ebr10610909 035 $a(CaONFJC)MIL395177 035 $a(OCoLC)813396780 035 $a(EXLCZ)992670000000275411 100 $a20120523d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Jarmusch way$b[electronic resource] $espirituality and imagination in Dead man, Ghost dog, and The limits of control /$fJulian Rice 210 $aLanham, MD $cScarecrow Press, Inc.$d2012 215 $a1 online resource (337 p.) 300 $aDescription based upon print version of record. 311 $a0-8108-8572-7 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Chapter 01. Introduction; Chapter 02. Dead Man; Chapter 03. Ghost Dog: The Way of the Samurai; Chapter 04. The Limits of Control; Bibliography; Index; About the Author 330 $aSince the early 1980s, Jim Jarmusch has produced a handful of idiosyncratic films that have established him as one of the most imaginatively allusive directors in the history of American cinema. Three of his films-Dead Man (1995), Ghost Dog (1999), and The Limits of Control (2009)-demonstrate the director's unique take on Eastern and Aboriginal spirituality. In The Jarmusch Way, Julian Rice looks closely at these three films and explores their relation to Eastern philosophy and particular works of Western literature, painting, and cinema. Making a case that this director deserves far more seri 606 $aMotion picture producers and directors$vBiography 608 $aElectronic books. 615 0$aMotion picture producers and directors 676 $a791.43023/3092 700 $aRice$b Julian$f1940-$0854454 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462524903321 996 $aThe Jarmusch way$91908174 997 $aUNINA