LEADER 03055oam 2200649I 450 001 9910462418803321 005 20210723044516.0 010 $a1-283-60563-5 010 $a9786613918086 010 $a1-136-45404-7 010 $a0-203-12611-4 024 7 $a10.4324/9780203126110 035 $a(CKB)2670000000242268 035 $a(EBL)1024593 035 $a(OCoLC)811506133 035 $a(SSID)ssj0000737205 035 $a(PQKBManifestationID)12385641 035 $a(PQKBTitleCode)TC0000737205 035 $a(PQKBWorkID)10782777 035 $a(PQKB)10460121 035 $a(MiAaPQ)EBC1024593 035 $a(Au-PeEL)EBL1024593 035 $a(CaPaEBR)ebr10603647 035 $a(CaONFJC)MIL391808 035 $a(OCoLC)810933173 035 $a(EXLCZ)992670000000242268 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEmbodied acting $ewhat neuroscience tells us about performance /$fRick Kemp 210 1$aLondon ;$aNew York :$cRoutledge,$d2012. 215 $a1 online resource (257 p.) 300 $aDescription based upon print version of record. 311 $a0-415-50788-X 311 $a0-415-50787-1 320 $aIncludes bibliographical references and index. 327 $aEmbodied Acting What neuroscience tells us about performance; Copyright; Contents; List of figures; List of tables; Acknowledgements; Preface; Introduction; Chapter 1 Why should theatre people be interested in cognitive studies?; Chapter 2 How does the actor communicate meaning non-verbally?; Chapter 3 What is the relationship between thought, physical action, and language?; Chapter 4 How does the actor create a character?; Chapter 5 How does the actor identify with the character?; Chapter 6 How does the actor embody emotion in fictional circumstances?; Conclusion; Notes; Bibliography; Index 330 $a'A focus on the body, its actions, and its cognitive mechanisms identifies ... foundational principles of activity that link the three elements of theatre; Story, Space, and Time. The three meet in, are defined by, and expressed through the actor's body.' - from the Introduction?Embodied Acting is an essential, pragmatic intervention in the study of how recent discoveries within cognitive science can - and should - be applied to performance. For too long, a conceptual separation of mind and body has dominated actor training in the West. Cognitive science has shown this binary to be illusory, 606 $aActing$xPsychological aspects 606 $aActors$xPsychology 606 $aCognitive neuroscience 608 $aElectronic books. 615 0$aActing$xPsychological aspects. 615 0$aActors$xPsychology. 615 0$aCognitive neuroscience. 676 $a792.02/8 700 $aKemp$b Rick$f1958-,$0859545 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462418803321 996 $aEmbodied acting$91918295 997 $aUNINA