LEADER 00892cam0-2200325---450- 001 990004032730403321 005 20151015130759.0 010 $a0-582-48687-4 035 $a000403273 035 $aFED01000403273 035 $a(Aleph)000403273FED01 035 $a000403273 100 $a19990604d1986----km-y0itay50------ba 101 0 $aeng 102 $aGB 105 $a--------001yy 200 1 $a<>short story$ea critical introduction$fValerie Shaw 205 $a3th impr. 210 $aLondon and New York$cLongman$d1986 215 $aXI, 294 p.$d22 cm 610 0 $aNarrativa inglese$aRacconti brevi 676 $a823.0109$v22$zita 700 1$aShaw,$bValerie$0132889 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004032730403321 952 $a823.01 SHA 1$bDip.f.m.783$fFLFBC 959 $aFLFBC 996 $aShort story$9470978 997 $aUNINA LEADER 04639oam 2200793I 450 001 9910462412703321 005 20200520144314.0 010 $a1-283-60524-4 010 $a9786613917690 010 $a1-136-32202-7 010 $a0-203-12056-6 024 7 $a10.4324/9780203120569 035 $a(CKB)2670000000242337 035 $a(EBL)1024597 035 $a(OCoLC)811506145 035 $a(SSID)ssj0000741545 035 $a(PQKBManifestationID)11418379 035 $a(PQKBTitleCode)TC0000741545 035 $a(PQKBWorkID)10720950 035 $a(PQKB)10628509 035 $a(MiAaPQ)EBC1024597 035 $a(Au-PeEL)EBL1024597 035 $a(CaPaEBR)ebr10603726 035 $a(CaONFJC)MIL391769 035 $a(OCoLC)815478742 035 $a(EXLCZ)992670000000242337 100 $a20180706e20121992 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aNew feminist discourses $ecritical essays on theories and texts /$fedited by Isobel Armstrong 210 1$aAbingdon, Oxon :$cRoutledge,$d2012. 215 $a1 online resource (385 p.) 225 0 $aRoutledge library editions. Women, feminism and literature 300 $aFirst published in 1992 by Routledge. 311 $a0-415-75227-2 311 $a0-415-52166-1 320 $aIncludes bibliographical references and index. 327 $aNEW FEMINIST DISCOURSES Critical Essays on Theories and Texts; Copyright; NEW FEMINIST DISCOURSES Critical Essays on Theories and Texts; Copyright; Contents; List of plates; Acknowledgements; Chapter 1 Introduction; Part I Knowledges; Chapter 2 Feminist aesthetics and the new realism; Chapter 3 Walking, women and writing: Virginia Woolf as fla?neuse; Chapter 4 Happy families? Feminist reproduction and matrilineal thought; Chapter 5 An other space: a future for feminism?; Part II Subjectivities; Chapter 6 Releasing possibility into form: cultural choice and the woman writer 327 $aChapter 7 Fakes and femininity: Vita Sackville-West and her motherChapter 8 The dangers of Angela Carter; Part III Languages; Chapter 9 Love, mourning and metaphor: terms of identity; Chapter 10 Why the Lady's eyes are nothing like the sun; Chapter 11 Unsilent instruments and the devil's cushions: authority in seventeenth-century women's prophetic discourse; Part IV Representations; Chapter 12 Getting down to basics: art, obscenity and the female nude; Chapter 13 Do or die: problems of agency and gender in the aesthetics of murder 327 $aChapter 14 The politics of focus: feminism and photography theoryChapter 15 The hand of the huntress: repetition and Malory's Morte Darthur; Part V Others; Chapter 16 New hystericism: Aphra Behn's Oroonoko: the body, the text and the feminist critic; Chapter 17 The great distinction: figures of the exotic in the work of William Hodges; Chapter 18 'Because men made the laws': the fallen woman and the woman poet; Index 330 $aThis collection of new feminist essays represents the work of young critics researching and teaching in British Universities. Aiming to set the agenda for feminist criticism in the nineties, the essays debate themes crucial to the development of feminist thought: among them, the problems of gendered knowledge and the implications of accounts of gendered language, cultural restraints on the representation of sexuality, women's agency, cultural and political change, a feminist aesthetics and new readings of race and class. This variety is given coherence by a unity of aim - to forge new femin 410 0$aRoutledge library editions.$pWomen, feminism and literature. 606 $aEnglish literature$xWomen authors$xHistory and criticism 606 $aEnglish literature$xHistory and criticism$xTheory, etc 606 $aFeminism and literature$zGreat Britain 606 $aWomen and literature$zGreat Britain 606 $aFeminist criticism$zGreat Britain 606 $aSex role in literature 608 $aElectronic books. 615 0$aEnglish literature$xWomen authors$xHistory and criticism. 615 0$aEnglish literature$xHistory and criticism$xTheory, etc. 615 0$aFeminism and literature 615 0$aWomen and literature 615 0$aFeminist criticism 615 0$aSex role in literature. 676 $a305.4201 676 $a820.99287 676 $a820/.9/9287 701 $aArmstrong$b Isobel$0164623 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462412703321 996 $aNew feminist discourses$92050025 997 $aUNINA LEADER 03085nam 2200565 450 001 9910798017503321 005 20180613002933.0 010 $a90-04-31091-6 024 7 $a10.1163/9789004310919 035 $a(CKB)3710000000590660 035 $a(EBL)4419759 035 $a(SSID)ssj0001623125 035 $a(PQKBManifestationID)16203392 035 $a(PQKBTitleCode)TC0001623125 035 $a(PQKBWorkID)14820639 035 $a(PQKB)10320904 035 $a(PQKBManifestationID)16359272 035 $a(PQKB)23639997 035 $a(MiAaPQ)EBC4419759 035 $a(nllekb)BRILL9789004310919 035 $a(PPN)229584969 035 $a(EXLCZ)993710000000590660 100 $a20160615h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAristophanes and his tragic muse $ecomedy, tragedy and the polis in 5th century Athens /$fStephanie Nelson 210 1$aLeiden, Netherlands ;$aBoston, [Massachusetts] :$cBrill,$d2016. 210 4$dİ2016 215 $a1 online resource (394 p.) 225 1 $aMnemosyne Supplements,$x0169-8958 ;$vVolume 390 300 $aDescription based upon print version of record. 311 $a90-04-31090-8 320 $aIncludes bibliographical references and index. 327 $aFront Matter -- Introduction -- Comedy and Tragedy in Athens -- Satyr Drama and the Cyclops: Where Tragedy and Comedy Meet -- The Acharnians and the Paradox of the City -- The Wasps: Comic Heroes/Tragic Heroes -- Oedipus Tyrannos and the Knights: Oracles, Divine and Human -- Persians, Peace, and Birds: God and Man in Wartime -- Women at the Thesmophoria and Frogs: Aristophanes on Tragedy and Comedy -- Conclusion: The Dionysia?s Many Voices -- Synopses -- Glossary -- Bibliography -- Index. 330 $aDespite the many studies of Greek comedy and tragedy separately, scholarship has generally neglected the relation of the two. And yet the genres developed together, were performed together, and influenced each other to the extent of becoming polar opposites. In Aristophanes and His Tragic Muse , Stephanie Nelson considers this opposition through an analysis of how the genres developed, by looking at the tragic and comic elements in satyr drama, and by contrasting specific Aristophanes plays with tragedies on similar themes, such as the individual, the polis, and the gods. 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