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100   $a20111208d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aOn modern poetry$b[electronic resource] $efrom theory to total criticism /$fRobert Rowland Smith
210   $aLondon ;$aNew York $cContinuum$dc2012
215   $a1 online resource (213 p.)
300   $aDescription based upon print version of record.
311   $a1-4411-6572-X 
320   $aIncludes bibliographical references and index.
327   $aAcknowledgements; Introduction; Part 1: Themes; 1 Two or three lines through modern poetic theory; 2 Rhyme and reason; 3 The object; 4 Hearing voices; 5 The flowers of rhetoric; Part 2: Readings; 6 Darkling; 7 Forgetting Tennyson's memory; 8 Hopkins, 'f' and 'l'; 9 Symons in the decade of decadence; 10 High Windows, reframed; 11 The case of J. H. Prynne; Notes; Index
330   $aAlltoo often, the history of poetry criticism in the 20th Century is told as atale of two sides. While 'Lit crit' pored over the author's every line,'Theory' stood on the shoulder of texts to gaze into the metaphysical mists. Drawingon the key insights of both Lit crit and Theory, On Modern Poetry tries to get beyond the oppositionbetween them, proposing instead a 'total criticism' that draws on all resourcesavailable. It combines 'analytic irony' with 'imaginative empathy' in orderto generate fresh insights. The themes discussed in the firstpart of the book include tradition, voice, rhyme, rh
606   $aPoetry, Modern$y20th century$xHistory and criticism$xTheory, etc
606   $aModernism (Literature)
608   $aElectronic books.
615  0$aPoetry, Modern$xHistory and criticism$xTheory, etc.
615  0$aModernism (Literature)
676   $a809.104
700   $aSmith$b Robert Rowland$0979189
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462408903321
996   $aOn modern poetry$92232110
997   $aUNINA