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100   $a20180331d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aPeter Brook $eOxford to Orghast /$fedited by Richard Helfer and Glenn Loney
210  1$aLondon ;$aNew York :$cRoutledge,$d2011.
215   $a1 online resource (349 p.)
225 1 $aContemporary theatre studies,$x1049-6513 ;$vv. 27
300   $aDescription based upon print version of record.
311   $a90-5702-208-7 
311   $a90-5702-207-9 
320   $aIncludes bibliographical references and indexes.
327   $aPETER BROOK: Oxford to Orghast; Copyright; Contents; Introduction to the Series; Preface; Production Chronology: Oxford to Orghast; List of Peter Brook's productions (1942-1971); Descriptions of Peter Brook's productions (1942-1971); Interviews: Oxford to Orghast to India; Myth and Music: Resonances across continents and centuries as explored by Peter Brook and his ensemble; US Rehearsal Break: Comments by Peter Brook; A Midsummer Night's Dream at the Drama Desk: Peter Brook and major players discuss the production in New York
327   $aPeter Brook's Birds Take Wing: With Sally Jacobs before the American tourPeter Brook on La Trage?die de Carmen; Marat/Sade as play and film: Stanley Kauffmann compares!; Richard Peaslee: Creating music for Peter Brook; Lord of the Flies in production; Peter Brook's Quest: Margaret Croyden traces it; Working with Brook: Bruce Myers and Robert Langdon Lloyd discuss The Mahabharata and other adventures; Peter Brook at the CUNY Graduate Center; Bibliography; Index to the Production Chronology; Index to the Interviews
330   $aPeter Brook is known internationally as a theatre visionary, and a daring experimenter on the cutting-edge of performance and production. This book concentrates on Brook's early years, and his innovative achievements in opera, television, film, and the theatre. His productions are viewed separately, in chronological order, suggesting Brook's developing and changing interests. The authors include thought-provoking interviews with Brook (and with numerous outstanding artists who have worked with him) and bring to the reader penetrating critiques of Brook's theories and practices as a man of the 
410  0$aContemporary theatre studies ;$vv. 27.$x1049-6513.
606   $aTheatrical producers and directors$zGreat Britain$vInterviews
608   $aElectronic books.
615  0$aTheatrical producers and directors
676   $a792/.0233/092
701   $aHelfer$b Richard$0934933
701   $aLoney$b Glenn Meredith$f1928-$0934934
701   $aBrook$b Peter$f1925-$0203287
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462375803321
996   $aPeter Brook$92105442
997   $aUNINA