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100   $a20120319d2012      ub             0
101 0 $aeng
135   $aurnn#---|u||u
181   $ctxt
182   $cc
183   $acr
200 10$aEx-cinema$b[electronic resource] $efrom a theory of experimental film and video /$fAkira Mizuta Lippit
210   $aBerkeley $cUniversity of California Press$d2012
215   $a1 online resource (202 p.)
300   $aIncludes index.
311 0 $a0-520-27412-1 
311 0 $a0-520-27414-8 
327   $tFront matter --$tContents --$tIllustrations --$tAcknowledgments --$tEXC00. Exergue Ex-Cinema --$tEXC01. Out of the Blue (Ex Nihilo) --$tEXC02. Extimacy: Outside Time and Superrealist Cinema --$tEXC03. Cinemnesis: Martin Arnold's Memory Apparatus --$tEXC04. The Rhetoric of Images, of the Unimaginable --$tEXC05. Derrida, Specters, Self-Reflection --$tEXC06. (Parenthesis Video Ergo Sum) --$tEXC07. Digesture: Gestures without Bodies --$tEXC08. Extract Matthias Müller --$tEXC09. Revisionary Cinema --$tEXC10. xxxxMA --$tIndex
330   $aWhat does it mean for film and video to be experimental? In this collection of essays framed by the concept "ex-"-meaning from, outside, and no longer-Akira Mizuta Lippit explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. Ex-Cinema is a sustained reflection on the ways in which experimental media artists move outside the conventions of mainstream cinema and initiate a dialogue on the meaning of cinema itself.
606   $aExperimental films$xHistory and criticism
606   $aMotion pictures$xHistory
608   $aElectronic books.
615  0$aExperimental films$xHistory and criticism.
615  0$aMotion pictures$xHistory.
676   $a791.43/611
700   $aLippit$b Akira Mizuta$0605374
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
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996   $aEx-cinema$92452523
997   $aUNINA