LEADER 03034oam 2200661I 450 001 9910462329603321 005 20200520144314.0 010 $a1-280-66243-3 010 $a9786613639363 010 $a0-203-11929-0 010 $a1-136-31421-0 024 7 $a10.4324/9780203119297 035 $a(CKB)2670000000203406 035 $a(EBL)957351 035 $a(OCoLC)798533020 035 $a(SSID)ssj0000678445 035 $a(PQKBManifestationID)11394137 035 $a(PQKBTitleCode)TC0000678445 035 $a(PQKBWorkID)10699625 035 $a(PQKB)10002754 035 $a(MiAaPQ)EBC957351 035 $a(Au-PeEL)EBL957351 035 $a(CaPaEBR)ebr10566859 035 $a(CaONFJC)MIL363936 035 $a(OCoLC)794707251 035 $a(EXLCZ)992670000000203406 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic and twentieth-century tonality $eharmonic progression based on modality and the interval cycles /$fPaolo Susanni and Elliott Antokoletz 210 1$aNew York ;$aLondon :$cRoutledge,$d2012. 215 $a1 online resource (177 p.) 225 1 $aRoutledge studies in music theory ;$v1 300 $aDescription based upon print version of record. 311 $a1-138-79350-7 311 $a0-415-80888-X 320 $aIncludes bibliographical references (p.153) and indexes. 327 $aCover; Music and Twentieth-Century Tonality; Copyright; Dedication; Contents; List of Tables and Figures; Preface; Acknowledgments; 1. General Concepts; 2. Interval Cycles; 3. Compound Cyclic Collections; 4. Inversional Symmetry and the Axis Concept; 5. Modes; 6. Modal/Cyclic Relationships; 7. Harmonic Structures, Pitch Cells, and Cyclic Tetrachords; Notes; Bibliography; Index to Compositions; General Index 330 $aThis book explores the web of pitch relations that generates the musical language of non-serialized twelve-tone music and supplies both the analytical materials and methods necessary for analyses of a vast proportion of the 20th century musical repertoire. It does so in a simple, clear, and systematic manner to promote an easily accessible and global understanding of this music. Since the chromatic scale is the primary source for the pitch materials of 20th-century music, common sub-collections of the various modes and interval cycles serve as the basis for their mutual transform 410 0$aRoutledge studies in music theory ;$v1. 606 $aMusic$y20th century$xAnalysis, appreciation 606 $aMusical analysis 608 $aElectronic books. 615 0$aMusic$xAnalysis, appreciation. 615 0$aMusical analysis. 676 $a780.9/04 700 $aSusanni$b Paolo.$0868317 701 $aAntokoletz$b Elliott$0868318 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462329603321 996 $aMusic and twentieth-century tonality$91938421 997 $aUNINA LEADER 01327nam a22003011i 4500 001 991002422789707536 005 20040315064831.0 008 040407s1977 it b 00 0 fre d 035 $ab12920502-39ule_inst 035 $aARCHE-090011$9ExL 040 $aDip.to Scienze Storiche$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a871.3 100 0 $aBernardus :$cUltrajectensis$0486584 245 10$aCommentum in Theodolum (1076-1099) /$cBernard d'Utrecht ; édite par R. B. C. Huygens 246 33$aBernard d'Utrecht, Commentum in Theodolum (1076-1099) 260 $aSpoleto :$bCentro italiano di studi sull'alto Medioevo,$c1977 300 $a136 p. ;$c25 cm 440 0$aBiblioteca degli Studi medievali ;$v8 650 4$aPoesia latina medievale$ySec. 12. 700 0 $aTheodolus 700 1 $aHuygens, Robert Burchard Constantijn 907 $a.b12920502$b02-04-14$c16-04-04 912 $a991002422789707536 945 $aLE027 940.10 CIS01.03$cV. 08$g1$i2027000188406$lle027$op$pE15.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i14849951$z07-10-08 945 $aLE009 MSM VII Coll. 26/8$g1$i2009000332096$lle009$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i13492871$z16-04-04 996 $aCommentum in Theodolum (1076-1099$9304804 997 $aUNISALENTO 998 $ale027$ale009$b16-04-04$cm$da $e-$flat$git $h0$i2