LEADER 03041nam 2200565 a 450 001 9910462319403321 005 20200520144314.0 010 $a1-280-67972-7 010 $a9786613656650 010 $a0-8108-7756-2 035 $a(CKB)2670000000203803 035 $a(EBL)928499 035 $a(SSID)ssj0000654275 035 $a(PQKBManifestationID)12261141 035 $a(PQKBTitleCode)TC0000654275 035 $a(PQKBWorkID)10661701 035 $a(PQKB)11192881 035 $a(MiAaPQ)EBC928499 035 $a(PPN)182143880 035 $a(Au-PeEL)EBL928499 035 $a(CaPaEBR)ebr10568795 035 $a(CaONFJC)MIL365665 035 $a(OCoLC)801409281 035 $a(EXLCZ)992670000000203803 100 $a20120106d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAlfred Hitchcock's frenzy$b[electronic resource] $ethe last masterpiece /$fRaymond Foery 210 $aLanham, Md. $cScarecrow Press$dc2012 215 $a1 online resource (203 p.) 300 $aDescription based upon print version of record. 311 $a1-4422-4181-0 311 $a0-8108-7755-4 320 $aIncludes bibliographical references and index. 327 $aPrologue over the Atlantic and down the Thames -- Hitchcock in 1970: the lion in waiting -- Property values: the Hitchcock standards and the first "Frenzy" -- Working with writers: Hitchcock and the preparation of the scenario -- Working with another sleuth: Hitchcock and Anthony Shaffer -- Brief inter-title: looking for a lost London -- Cattle calls: ruminating over a cast -- The 13-week production: mornings and afternoons on the set -- Shooting the signature sequences, part I: Hitchcock as a master of montage -- Shooting the signature sequences, part II: Hitchcock as the master of mise-en-scene and the moving camera -- Brief inter-title: looking for a lost partner or "Hitchcock in love' -- Adventures in post-production -- Releasing the film: creating a frenzy around Frenzy -- Critical acclaim and box-office redemption -- The response from the Academy -- Hitchcock and women: Hitch and his women -- Forty years later -- Postscript: becoming Sir Alfred -- Appendix A: Frenzy cast and crew -- Appendix B: Frenzy scene list. 330 $aIn Alfred Hitchcock's Frenzy: The Last Masterpiece, Raymond Foery recounts the history-writing, pre-production, casting, shooting, post-production, and promotion-of this great work, and combines the history of the production process with an ongoing account of how this particular film relates to Hitchcock's other works. Foery also discusses the reactions to Frenzy by critics and scholars, while examining Hitchcock' 517 3 $aFrenzy 608 $aElectronic books. 676 $a791.43/72 700 $aFoery$b Raymond$f1945-$0898182 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462319403321 996 $aAlfred Hitchcock's frenzy$92006807 997 $aUNINA