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100   $a20180706d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aAesthetics after metaphysics $efrom mimesis to metaphor /$fMiguel de Beistegui
210  1$aNew York :$cRoutledge,$d2012.
215   $a1 online resource (208 p.)
225 1 $aRoutledge studies in contemporary philosophy ;$v40
225  0$aRoutledge studies in contemporary philosophy ;$v40
300   $aDescription based upon print version of record.
311   $a1-138-92146-7 
311   $a0-415-53962-5 
320   $aIncludes bibliographical references (p. [175]-195) and index.
327   $aAesthetics and metaphysics I: the mimetic schema -- Aesthetics and metaphysics II: from Kant to Adorno -- Aesthetics at the limit of metaphysics: intimations of the hypersensible -- Metaphor beyond metaphysics? -- Literature: Proust, Ho?lderlin -- Sculpture: Chillida.
330   $aThis book focuses on a dimension of art which the philosophical tradition (from Plato to Hegel and even Adorno) has consistently overlooked, such was its commitment - explicit or implicit - to mimesis and the metaphysics of truth it presupposes. De Beistegui refers to this dimension, which unfolds outside the space that stretches between the sensible and the supersensible - the space of metaphysics itself - as the hypersensible and show how the operation of art to which it corresponds is best described as metaphorical. The movement of the book, then, is from the c
410  0$aRoutledge Studies in Contemporary Philosophy
606   $aAesthetics
606   $aMetaphysics
606   $aMetaphor
608   $aElectronic books.
615  0$aAesthetics.
615  0$aMetaphysics.
615  0$aMetaphor.
676   $a111/.85
700   $aBeistegui$b Miguel de$f1966-,$0849068
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462279403321
996   $aAesthetics after metaphysics$92005921
997   $aUNINA