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100   $a20120711d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$aListening to Stanley Kubrick$b[electronic resource] $ethe music in his films /$fChristine Lee Gengaro
210   $aLanham, Md. $cScarecrow Press$d2013
215   $a1 online resource (317 p.)
300   $aDescription based upon print version of record.
311   $a1-4422-4440-2 
311   $a0-8108-8564-6 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Introduction; Chapter 01. Early Projects; Chapter 02. Love Themes, Leitmotifs, and Pop Music; Chapter 03. The Music ofthe Spheres; Chapter 04. "It Was Lovely Music That Came to My Aid"; Chapter 05. "I Was Lucky Enough to Have Superb Material to Work With"; Chapter 06. Midnight, the Stars, and You; Chapter 07. Kubrick's Final Word; Appendix A: Films and Their Source Material; Appendix B: Film Synopses; Appendix C: Soundtracks and Track Lists; Bibliography; Index; About the Author
330   $aIn Listening to Stanley Kubrick: The Music in His Films, Christine Gengaro provides an in-depth exploration of the music that was composed for Stanley Kubrick's films and places the pre-existent music he utilized into historical context. Gengaro discusses the music in every single work, from Kubrick's first films-including the documentary shorts The Flying Padre and Day of the Fight-to all of his features films, from Fear and Desire to Eyes Wide Shut. No film is left out; no cue is ignored. This book offers a thoroughly researched examination into the musical elements of cinema.
606   $aMotion picture music$xHistory and criticism
608   $aElectronic books.
615  0$aMotion picture music$xHistory and criticism.
676   $a781.5/42
700   $aGengaro$b Christine Lee$0980773
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462185103321
996   $aListening to Stanley Kubrick$92238184
997   $aUNINA