LEADER 03437nam 2200721 a 450 001 9910462173303321 005 20211028143129.0 010 $a1-280-87616-6 010 $a9786613717474 010 $a90-04-23170-6 024 7 $a10.1163/9789004231702 035 $a(CKB)2670000000212094 035 $a(EBL)952134 035 $a(OCoLC)798535794 035 $a(SSID)ssj0000704216 035 $a(PQKBManifestationID)11940576 035 $a(PQKBTitleCode)TC0000704216 035 $a(PQKBWorkID)10692990 035 $a(PQKB)10054411 035 $a(MiAaPQ)EBC952134 035 $a(nllekb)BRILL9789004231702 035 $a(PPN)170742067 035 $a(Au-PeEL)EBL952134 035 $a(CaPaEBR)ebr10576313 035 $a(CaONFJC)MIL371747 035 $a(EXLCZ)992670000000212094 100 $a20120327d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aArt history and visual studies in Europe$b[electronic resource] $etransnational discourses and national frameworks /$fedited by Matthew Rampley ... [et al.] 210 $aLeiden [Holland] ;$aBoston $cBrill$d2012 215 $a1 online resource (585 p.) 225 1 $aBrill's studies in intellectual history,$x0920-8607 ;$vv. 212 225 1 $aBrill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ;$vv. 4 300 $aDescription based upon print version of record. 311 $a90-04-21877-7 320 $aIncludes bibliographical references and index. 327 $apt. 1. Methods, debates and paradigms -- pt. 2. The geography of the discipline. 330 $aReflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, such as the impact of digital technologies, the rise of visual studies or new initiatives in conservation theory and practice. Alongside these methodological issues this book addresses the mostly neglected question of the impact of national contexts on the development of the discipline. Taking a wide range of case studies, this book examines the impact of the specific national political, institutional and ideological demands on the practice of art history. The result is an account that both draws out common features and also highlights the differences and the plurality of practices that together constitute art history as a discipline. 410 0$aBrill's studies in intellectual history ;$vv. 212. 410 0$aBrill's studies in intellectual history.$pBrill's studies on art, art history, and intellectual history ;$vv. 4. 606 $aArt$xHistoriography 606 $aHistoriography$xPolitical aspects$zEurope 606 $aVisual communication 606 $aCommunication and culture 608 $aElectronic books. 610 $aUmU kursbok 615 0$aArt$xHistoriography. 615 0$aHistoriography$xPolitical aspects 615 0$aVisual communication. 615 0$aCommunication and culture. 676 $a707.2/2 701 $aRampley$b Matthew$0750446 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462173303321 996 $aArt history and visual studies in Europe$92470240 997 $aUNINA