LEADER 03934nam 2200661 a 450 001 9910462154103321 005 20200520144314.0 010 $a1-283-74249-7 010 $a0-226-88674-3 024 7 $a10.7208/9780226886749 035 $a(CKB)2670000000276644 035 $a(EBL)1058525 035 $a(SSID)ssj0000756010 035 $a(PQKBManifestationID)12349899 035 $a(PQKBTitleCode)TC0000756010 035 $a(PQKBWorkID)10750307 035 $a(PQKB)11047063 035 $a(MiAaPQ)EBC1058525 035 $a(DE-B1597)523289 035 $a(OCoLC)854969430 035 $a(DE-B1597)9780226886749 035 $a(Au-PeEL)EBL1058525 035 $a(CaPaEBR)ebr10623026 035 $a(CaONFJC)MIL405499 035 $a(EXLCZ)992670000000276644 100 $a20070518d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIn the shadow of the magic mountain$b[electronic resource] $ethe Erika and Klaus Mann story /$fAndrea Weiss 210 $aChicago $cUniversity of Chicago Press$d2008 215 $a1 online resource (315 p.) 300 $aDescription based upon print version of record. 311 $a0-226-88672-7 320 $aIncludes bibliographical references and index. 327 $aKindertheater -- Journey without sleep -- The lights go down -- Pathetic symphony -- Escape to life -- The turning point -- The last day -- Rainy night, windy morrow. 330 $aThomas Mann's two eldest children, Erika and Klaus, were unconventional, rebellious, and fiercely devoted to each other. Empowered by their close bond, they espoused vehemently anti-Nazi views in a Europe swept up in fascism and were openly, even defiantly, gay in an age of secrecy and repression. Although their father's fame has unfairly overshadowed their legacy, Erika and Klaus were serious authors, performance artists before the medium existed, and political visionaries whose searing essays and lectures are still relevant today. And, as Andrea Weiss reveals in this dual biography, their story offers a fascinating view of the literary and intellectual life, political turmoil, and shifting sexual mores of their times. In the Shadow of the Magic Mountain begins with an account of the make-believe world the Manns created together as children-an early sign of their talents as well as the intensity of their relationship. Weiss documents the lifelong artistic collaboration that followed, showing how, as the Nazis took power, Erika and Klaus infused their work with a shared sense of political commitment. Their views earned them exile, and after escaping Germany they eventually moved to the United States, where both served as members of the U.S. armed forces. Abroad, they enjoyed a wide circle of famous friends, including Andre Gide, Christopher Isherwood, Jean Cocteau, and W. H. Auden, whom Erika married in 1935. But the demands of life in exile, Klaus's heroin addiction, and Erika's new allegiance to their father strained their mutual devotion, and in 1949 Klaus committed suicide. Beautiful never-before-seen photographs illustrate Weiss's riveting tale of two brave nonconformists whose dramatic lives open up new perspectives on the history of the twentieth century. 606 $aAuthors, German$y20th century$vBiography 606 $aWomen authors, German$y20th century$vBiography 606 $aArtists$zGermany$vBiography 606 $aExpatriate artists$vBiography 608 $aElectronic books. 615 0$aAuthors, German 615 0$aWomen authors, German 615 0$aArtists 615 0$aExpatriate artists 676 $a838/.91209 676 $aB 700 $aWeiss$b Andrea$0899140 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462154103321 996 $aIn the shadow of the magic mountain$92008803 997 $aUNINA LEADER 02713oam 2200565 450 001 9910830647903321 005 20190911100039.0 010 $a1-118-32268-1 010 $a1-118-32267-3 010 $a1-299-15819-6 010 $a1-118-32266-5 010 $a1-118-32264-9 035 $a(OCoLC)880853073 035 $a(MiFhGG)GVRL8FNQ 035 $a(EXLCZ)992670000000327612 100 $a20120907d2013 uy 0 101 0 $aeng 135 $aurun|---uuuua 181 $ctxt 182 $cc 183 $acr 200 02$aA companion to the historical film /$fedited by Robert A. Rosenstone and Constantin Parvulescu 210 $aMalden, Mass. $cWiley-Blackwell$d2013 210 1$aChichester, West Sussex, UK :$cWiley-Blackwell,$d2013. 215 $a1 online resource (xiii, 575 pages) $cillustrations (some color) 225 0 $aGale eBooks 300 $aDescription based upon print version of record. 300 $aGale Virtual Reference Library 300 $aGVRL 311 $a1-119-16957-7 311 $a1-4443-3724-6 320 $aIncludes bibliographical references and index. 327 $apt. 1. History and the medium of film -- pt. 2. Filmmakers as historians -- pt. 3. Telling lives : the biopic -- pt. 4. Cinema and the nation -- pt. 5. Wars and revolutions -- pt. 6. Premodern times -- pt. 7. Slavery and the postcolonial world. 330 $a"Broad in scope, this interdisciplinary collection of original scholarship on historical film features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research. Offers a unique collection of cutting edge research that questions the intention behind and influence of historical film Essays range in scope from inclusive broad-ranging subjects such as political contexts, to focused assessments of individual films and auteurs Prefaced with an introductory survey of the field by its two distinguished editors Features interdisciplinary contributions from scholars in the fields of History, Film Studies, Anthropology, and Cultural and Literary Studies "--$cProvided by publisher. 606 $aHistorical films$xHistory and criticism 606 $aMotion pictures and history 608 $aLlibres electrònics$2thub 615 0$aHistorical films$xHistory and criticism. 615 0$aMotion pictures and history. 676 $a791.43/658 676 $a791.43658 686 $aPER004030$2bisacsh 702 $aRosenstone$b Robert A. 702 $aParvulescu$b Constantin 801 0$bMiFhGG 801 1$bMiFhGG 906 $aBOOK 912 $a9910830647903321 996 $aA companion to the historical film$94121036 997 $aUNINA