LEADER 03386nam 2200649Ia 450 001 9910462151403321 005 20211101235909.0 010 $a0-674-07084-4 010 $a0-674-06784-3 024 7 $a10.4159/harvard.9780674067844 035 $a(CKB)2670000000273692 035 $a(StDuBDS)AH24437923 035 $a(SSID)ssj0000755534 035 $a(PQKBManifestationID)11433067 035 $a(PQKBTitleCode)TC0000755534 035 $a(PQKBWorkID)10730212 035 $a(PQKB)11014185 035 $a(MiAaPQ)EBC3301145 035 $a(DE-B1597)177957 035 $a(OCoLC)840444832 035 $a(OCoLC)959596663 035 $a(DE-B1597)9780674067844 035 $a(Au-PeEL)EBL3301145 035 $a(CaPaEBR)ebr10614094 035 $a(OCoLC)814372592 035 $a(EXLCZ)992670000000273692 100 $a20120326d2012 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDying for time$b[electronic resource] $eProust, Woolf, Nabokov /$fMartin Ha?gglund 210 $aCambridge $cHarvard University Press$d2012 215 $a1 online resource (197 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-674-06632-4 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction Of Chronolibido --$tChapter 1. Memory: Proust --$tChapter 2. Trauma: Woolf --$tChapter 3. Writing: Nabokov --$tChapter 4. Reading: Freud, Lacan, Derrida --$tConclusion: Binding Desire --$tNotes --$tAcknowledgments --$tIndex 330 $aMarcel Proust, Virginia Woolf, and Vladimir Nabokov transformed the art of the novel in order to convey the experience of time. Nevertheless, their works have been read as expressions of a desire to transcend time-whether through an epiphany of memory, an immanent moment of being, or a transcendent afterlife. Martin Hägglund takes on these themes but gives them another reading entirely. The fear of time and death does not stem from a desire to transcend time, he argues. On the contrary, it is generated by the investment in temporal life. From this vantage point, Hägglund offers in-depth analyses of Proust's Recherche, Woolf's Mrs. Dalloway, and Nabokov's Ada. Through his readings of literary works, Hägglund also sheds new light on topics of broad concern in the humanities, including time consciousness and memory, trauma and survival, the technology of writing and the aesthetic power of art. Finally, he develops an original theory of the relation between time and desire through an engagement with Freud and Lacan, addressing mourning and melancholia, pleasure and pain, attachment and loss. Dying for Time opens a new way of reading the dramas of desire as they are staged in both philosophy and literature. 606 $aDesire in literature 606 $aPsychoanalysis and literature 606 $aTime in literature 608 $aElectronic books. 615 0$aDesire in literature. 615 0$aPsychoanalysis and literature. 615 0$aTime in literature. 676 $a843/.912 700 $aHa?gglund$b Martin$01051602 702 $aHägglund$b Martin 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462151403321 996 $aDying for time$92482236 997 $aUNINA