LEADER 03976nam 2200709Ia 450 001 9910462111403321 005 20200520144314.0 010 $a1-283-57902-2 010 $a9786613891471 010 $a90-04-23118-8 024 7 $a10.1163/9789004231184 035 $a(CKB)2670000000240336 035 $a(EBL)1012779 035 $a(OCoLC)809212839 035 $a(SSID)ssj0000715948 035 $a(PQKBManifestationID)12297836 035 $a(PQKBTitleCode)TC0000715948 035 $a(PQKBWorkID)10718053 035 $a(PQKB)11409208 035 $a(MiAaPQ)EBC1012779 035 $a(nllekb)BRILL9789004231184 035 $a(PPN)174389078 035 $a(Au-PeEL)EBL1012779 035 $a(CaPaEBR)ebr10597020 035 $a(CaONFJC)MIL389147 035 $a(EXLCZ)992670000000240336 100 $a20120423d2012 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt 182 $cc 183 $acr 200 10$aEnargeia in classical antiquity and the early modern age$b[electronic resource] $ethe aesthetics of evidence /$fby Heinrich F. Plett 210 $aLeiden ;$aBoston $cBrill$d2012 215 $a1 online resource (252 p.) 225 1 $aInternational studies in the history of rhetoric,$x1865-1148 ;$vvol. 4 300 $aDescription based upon print version of record. 311 $a90-04-22702-4 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Introduction -- Prologue -- I Classical Sources and Their Humanist Reception -- II Enargeia in Humanist Writings and Its Theoretical Foundation -- III Shakespeare and Enargeia (A) -- IV Ekphraseis of Places and Pictures -- V Enargetic Representations of Persons -- VI The Poetics of Ekphrasis and Enargeia -- VII Enargeia in Teichoscopy and Messenger?s Report -- VIII Shakespeare and Enargeia (B) -- IX Enargeia in Operatic Libretti -- X Enargeia in Mnemonics and Meditation -- XI Enargeia and the Visual Arts -- XII Ut Pictura Poesis -- XIII Enargeia and Perspective -- XIV Shakespeare and Enargeia (C) -- XV Enargeia in Theory and Practice of the Visual and Verbal Arts -- XVI The Enargeia of Music in Theory and Practice -- Epilogue -- Bibliography: ?Enargeia? and Related Terms -- Index of Names -- Index of Subjects. 330 $aThe present study provides an extensive treatment of the topic of enargeia on the basis of the classical and humanist sources of its theoretical foundation. These serve as the basis for detailed analyses of verbal and pictorial works of the Classical Antiquity and the Early Modern Age. Their theoretical basis is the tradition of classical rhetoric with its principal representatives (Aristotle, Cicero, Quintilian) and their reception history. The ?enargetic? approach to the arts may be described as rhetoric of presence and display, or aesthetics of evidence and imagination. Visual imagination plays a major role in the concepts of effect in oratory, poetry, and drama of the Classical Antiquity and the Early Modern Age. Its implementations are manifested in the Second Sophistic and in the Early Modern Age, there above all in the works of William Shakespeare. 410 0$aInternational studies in the history of rhetoric ;$vv. 4. 606 $aArt and literature 606 $aGreek literature$xInfluence 606 $aLatin literature$xInfluence 606 $aRhetoric, Ancient 606 $aUt pictura poesis (Aesthetics) 608 $aElectronic books. 615 0$aArt and literature. 615 0$aGreek literature$xInfluence. 615 0$aLatin literature$xInfluence. 615 0$aRhetoric, Ancient. 615 0$aUt pictura poesis (Aesthetics) 676 $a700.1 700 $aPlett$b Heinrich F$0701816 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462111403321 996 $aEnargeia in classical antiquity and the early modern age$92129430 997 $aUNINA