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100   $a20111107d2012      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
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183   $acr
200 00$aGender meets genre in postwar cinemas$b[electronic resource] /$fedited by Christine Gledhill
210   $aUrbana $cUniversity of Illinois Press$d2012
215   $a1 online resource (289 p.) 
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-252-07831-4 
311   $a0-252-03661-1 
320   $aIncludes bibliographical references and index.
327   $aIntroduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agne?s Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual diffe?rance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan.
330 8 $aThis collection challenges traditional ways of thinking about the relationship between genre and gender, understanding their meeting as a mutually transformative encounter.
606   $aSex role in motion pictures
606   $aMotion pictures and women
606   $aFeminism and motion pictures
606   $aFilm genres
606   $aWomen in motion pictures
606   $aMen in motion pictures
608   $aElectronic books.
615  0$aSex role in motion pictures.
615  0$aMotion pictures and women.
615  0$aFeminism and motion pictures.
615  0$aFilm genres.
615  0$aWomen in motion pictures.
615  0$aMen in motion pictures.
676   $a791.43/6522
701   $aGledhill$b Christine$0870566
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910462058503321
996   $aGender meets genre in postwar cinemas$91943431
997   $aUNINA