LEADER 01188nam0 22003133i 450 001 CAG1591884 005 20170908093304.0 010 $a9788854502444 100 $a20140307d2008 ||||0itac50 ba 101 | $aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $a˜Il œmercante dei quadri perduti$fSara Houghteling$gtraduzione di Massimo Ortelio 210 $aVicenza$cNeri Pozza$d[2008] 215 $a285 p.$d22 cm. 225 | $a˜I œnarratori delle tavole 410 0$1001LO10523112$12001 $a˜I œnarratori delle tavole 500 10$aPictures at an exhibition$3CAG1591886$9CAGV582636$91484795 676 $a813.6$9Narrativa americana in lingua inglese. 2000-$v22 700 1$aHoughteling$b, Sara$3CAGV582636$4070$0744916 702 1$aOrtelio$b, Massimo$3LO1V152509 801 3$aIT$bIT-NA0079$c20140307 850 $aIT-SA0112 912 $aCAG1591884 950 0$aBiblioteca comunale Francesco Morlicchio$d 84BIBLIOTECA813.6 HOU mer$e 84 0000162735 B 1 v. ; dono di Titti Marrone$fD $h20140307$i20140307 977 $a 84 996 $aPictures at an exhibition$91484795 997 $aUNISANNIO LEADER 03256nam 2200625Ia 450 001 9910462043003321 005 20200520144314.0 010 $a1-280-57145-4 010 $a9786613601056 010 $a0-300-17177-3 024 7 $a10.12987/9780300171778 035 $a(CKB)2670000000184334 035 $a(StDuBDS)AH23093123 035 $a(SSID)ssj0000646816 035 $a(PQKBManifestationID)11370592 035 $a(PQKBTitleCode)TC0000646816 035 $a(PQKBWorkID)10593253 035 $a(PQKB)10491152 035 $a(MiAaPQ)EBC3420828 035 $a(DE-B1597)485766 035 $a(OCoLC)794004247 035 $a(DE-B1597)9780300171778 035 $a(Au-PeEL)EBL3420828 035 $a(CaPaEBR)ebr10551224 035 $a(CaONFJC)MIL360105 035 $a(OCoLC)923597910 035 $a(EXLCZ)992670000000184334 100 $a20110418d2011 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aModernism$b[electronic resource] /$fMichael Levenson 210 $aNew Haven, CT $cYale University Press$dc2011 215 $a1 online resource (336 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-11173-8 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tCONTENTS -- $tINTRODUCTION: the spectacle of modernism -- $t1. the avant-garde in modernism -- $t2. narrating modernity: the novel after flaubert -- $t3. the modernist lyric "i": from baudelaire to eliot -- $t4. drama as politics, drama as ritual -- $t5. modernism in and out of war -- $t6. the ends of modernism -- $tNOTES -- $tILLUSTRATION CREDITS -- $tINDEX 330 $aIn this wide-ranging and original account of Modernism, Michael Levenson draws on more than twenty years of research and a career-long fascination with the movement, its participants, and the period during which it thrived. Seeking a more subtle understanding of the relations between the period's texts and contexts, he provides not only an excellent survey but also a significant reassessment of Modernism itself.Spanning many decades, illuminating individual achievements and locating them within the intersecting histories of experiment (Symbolism to Surrealism, Naturalism to Expressionism, Futurism to Dadaism), the book places the transformations of culture alongside the agitations of modernity (war, revolution, feminism, psychoanalysis). In this perspective, Modernism must be understood more broadly than simply in terms of its provocative works, experimental forms, and singular careers. Rather, as Levenson demonstrates, Modernism should be viewed as the emergence of an adversary culture of the New that depended on audiences as well as artists, enemies as well as supporters. 606 $aModernism (Literature) 606 $aLiterary movements 608 $aElectronic books. 615 0$aModernism (Literature) 615 0$aLiterary movements. 676 $a700/.4112 700 $aLevenson$b Michael H$g(Michael Harry),$f1951-$0223820 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462043003321 996 $aModernism$92447505 997 $aUNINA