LEADER 03527nam 2200625Ia 450 001 9910462016103321 005 20200520144314.0 010 $a1-283-69594-4 010 $a0-520-95396-7 024 7 $a10.1525/9780520953963 035 $a(CKB)2670000000269193 035 $a(EBL)1046306 035 $a(OCoLC)817886243 035 $a(SSID)ssj0000756178 035 $a(PQKBManifestationID)11494935 035 $a(PQKBTitleCode)TC0000756178 035 $a(PQKBWorkID)10750320 035 $a(PQKB)10251078 035 $a(MiAaPQ)EBC1046306 035 $a(OCoLC)822214320 035 $a(MdBmJHUP)muse31070 035 $a(DE-B1597)519226 035 $a(OCoLC)818830919 035 $a(DE-B1597)9780520953963 035 $a(Au-PeEL)EBL1046306 035 $a(CaPaEBR)ebr10614246 035 $a(CaONFJC)MIL400844 035 $a(EXLCZ)992670000000269193 100 $a20120702d2012 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLate Godard and the possibilities of cinema$b[electronic resource] /$fDaniel Morgan 210 $aBerkeley $cUniversity of California Press$d2012 215 $a1 online resource (326 p.) 300 $aDescription based upon print version of record. 311 $a0-520-27331-1 311 $a0-520-27333-8 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIllustrations --$tPreface --$tAcknowledgments --$tIntroduction --$t1. The Work of Aesthetics --$t2. Nature and Its Discontents --$t3. Politics by Other Means --$t4. Cinema without Photography --$t5. What Projection Does --$t6. Cinema after the End of Cinema (Again) --$tNotes --$tIndex 330 $aWith Late Godard and the Possibilities of Cinema, Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980's, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films-Soigne ta droite (Keep Your Right Up, 1987), Nouvelle vague (New Wave, 1990), and Allemagne 90 neuf zéro (Germany 90 Nine Zero, 1991)-and the monumental late video work, Histoire(s) du cinéma (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work. At the same time, Late Godard and the Possibilities of Cinema provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies. In using the tradition of aesthetics to illuminate Godard's late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema. 606 $aMotion pictures$xAesthetics 608 $aElectronic books. 615 0$aMotion pictures$xAesthetics. 676 $a791.4302/33092 700 $aMorgan$b Daniel$f1977-$01048798 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462016103321 996 $aLate Godard and the possibilities of cinema$92477315 997 $aUNINA