LEADER 03155nam 2200601Ia 450 001 9910462011503321 005 20200520144314.0 010 $a1-283-65869-0 010 $a1-61149-392-7 035 $a(CKB)2670000000277710 035 $a(EBL)1042725 035 $a(SSID)ssj0000756822 035 $a(PQKBManifestationID)12366370 035 $a(PQKBTitleCode)TC0000756822 035 $a(PQKBWorkID)10753572 035 $a(PQKB)11146015 035 $a(MiAaPQ)EBC1042725 035 $a(Au-PeEL)EBL1042725 035 $a(CaPaEBR)ebr10612151 035 $a(CaONFJC)MIL397119 035 $a(OCoLC)817829353 035 $a(EXLCZ)992670000000277710 100 $a20120823d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe romance of the lyric in nineteenth-century women's poetry$b[electronic resource] $eexperiments in form /$fLee Christine O'Brien 210 $aNewark $cUniversity of Delaware Press$dc2013 215 $a1 online resource (261 p.) 300 $aDescription based upon print version of record. 311 $a1-61149-391-9 320 $aIncludes bibliographical references (p. 221-234) and index. 327 $aContents; Acknowledgments; Introduction; Chapter One: Reading Nineteenth-Century Women's Poetry in the Twenty-First Century; Chapter Two: From Rags to Verses: Technology, Fugitive Poetry, and the Domestic as Ephemera; Chapter Three: Lyric Space and Romance Forms; Chapter Four: Uncanny Transactions and Canny Forms: Rosamund Marriott Watson's Ma?rchen; Chapter Five: Parodic Myth: Unveiling Allegory and the Domestication of Myth in an Early Victorian Love Lyric; Chapter Six: "And Ho, So Very Still She Stands": Rosamund Marriott Watson's Pygmalion and The Art of the House 327 $aChapter Seven: Monsters and DoublesChapter Eight: "Witches' Play"; Bibliography; Index; About the Author 330 $aThis feminist recuperation of the work of numerous women across the Romantic and Victorian periods presented in this monograph puts not only the canon of poetry under interrogation but also periodisation. Using a number of previously unknown women poets, and a new elaboration of the significance of the work of Rosamund Marriott Watson, this study intersects with some of the most exciting current debates in nineteenth-century studies, around, for example, the uses of sentimentality and emotion, material culture, the archive, and parody. 606 $aEnglish poetry$xWomen authors$xHistory and criticism 606 $aEnglish poetry$y19th century$xHistory and criticism 606 $aWomen in literature 608 $aElectronic books. 615 0$aEnglish poetry$xWomen authors$xHistory and criticism. 615 0$aEnglish poetry$xHistory and criticism. 615 0$aWomen in literature. 676 $a821.8099287 700 $aO'Brien$b Lee Christine$0944881 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462011503321 996 $aThe romance of the lyric in nineteenth-century women's poetry$92133202 997 $aUNINA