LEADER 01542nlm0 22004451i 450 001 990009235660403321 010 $a9783540331711 035 $a000923566 035 $aFED01000923566 035 $a(Aleph)000923566FED01 035 $a000923566 100 $a20100926d2006----km-y0itay50------ba 101 0 $aeng 102 $aDE 135 $adrnn-008mamaa 200 1 $aHybrid Systems: Computation and Control$bRisorsa elettronica$e9th International Workshop, HSCC 2006, Santa Barbara, CA, USA, March 29-31, 2006. Proceedings$fedited by João P. Hespanha, Ashish Tiwari 210 $aBerlin ; Heidelberg$cSpringer$d2006 225 1 $aLecture Notes in Computer Science$x0302-9743$v3927 230 $aDocumento elettronico 336 $aTesto 337 $aFormato html, pdf 702 1$aHespanha,$bJoão P. 702 1$aTiwari,$bAshish 801 0$aIT$bUNINA$gREICAT$2UNIMARC 856 4 $zFull text per gli utenti Federico II$uhttp://dx.doi.org/10.1007/11730637 901 $aEB 912 $a990009235660403321 961 $aComputation by Abstract Devices 961 $aComputer science 961 $aComputer Science 961 $aComputer simulation 961 $aLogic design 961 $aLogics and Meanings of Programs 961 $aProcessor Architectures 961 $aSimulation and Modeling 961 $aSoftware engineering 961 $aSoftware Engineering 961 $aSpecial Purpose and Application-Based Systems 996 $aHybrid Systems: Computation and Control$9773130 997 $aUNINA LEADER 04092nam 2200637 a 450 001 9910461993703321 005 20200520144314.0 010 $a1-280-68425-9 010 $a9786613661197 010 $a0-7391-7026-0 035 $a(CKB)2670000000203750 035 $a(EBL)928510 035 $a(OCoLC)854519904 035 $a(SSID)ssj0000657132 035 $a(PQKBManifestationID)12291800 035 $a(PQKBTitleCode)TC0000657132 035 $a(PQKBWorkID)10656064 035 $a(PQKB)11282093 035 $a(MiAaPQ)EBC928510 035 $a(Au-PeEL)EBL928510 035 $a(CaPaEBR)ebr10568798 035 $a(CaONFJC)MIL366119 035 $a(EXLCZ)992670000000203750 100 $a20120315d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aLost and othered children in contemporary cinema$b[electronic resource] /$fedited by Debbie Olson and Andrew Scahill 210 $aLanham $cLexington Books$dc2012 215 $a1 online resource (359 p.) 300 $aDescription based upon print version of record. 311 $a0-7391-7025-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction / Debbie Olson, Andrew Scahill -- I see dead people: ghost-seeing children as mediums and mediators of communication in contemporary horror cinema / Sage Leslie-McCarthy -- I Can't Go On, I Must Go On: How Jeliza Rose Meets Alice and the Dark Side of Childhood in Terry Gilliam's Tideland / Jayne Steel -- Wednesdays Child: Adolescent Outsiders in Contemporary British Cinema / Stella M. Hockenhull -- Wonka, Freud and the Child Within: (Re) Constructing Lost Childhood in Tim Burton's Charlie and the Chocolate Factory / Adrian Schober -- Representations of Childhood and Conflict in African Fiction Film / Christine Singer and Lindiwe Dovey -- Pity the Child: Exploring Race, Class, Gender, and Sexuality in Gummo (1997) / Sarah E. S. Sinwell -- The Ideal Immigrant is a Child: Michou d'Auber and the Politics of Immigration in France / Nicole Beth Wallenbrock -- It's all for you, Damien!: Oedipal Horror and Racial Privilege in The Omen series / Andrew Scahill -- Little Rebels in Mao's Era: Representing Children of the Past in Zhang Yuan's Little Red Flowers (Yuan Zhang, 2006) / Kiu-wai Chu -- Batteries Have Run Out: Ken Loach's Sweet Sixteen / Gilles Chamerois -- A Krank's Dream: Conflicts Between Form and Narrative in City of Lost Children / Carolyn Salvi -- Childhood, Ghost Images, and the Heterotopian Spaces of Cinema: The Child as Medium in The Others / Christian Stewen -- The Hitchcock Imp: Children and the Hyperreal in Alfred Hitchcock's The Birds (1963) / Debbie Olson -- Experiencing Hu?zu?n Through the Loss of Life, Limbs, and Love in Turtles Can Fly / Fran Hassencahl. 330 $aLost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, is an edited collection that challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a global perspective that explores the multiple conditions of marginalized childhood as cinematically imagined within political, geographical, sociological, and cultural contexts. 606 $aChildren in motion pictures 606 $aMotion pictures$xSocial aspects 606 $aMotion pictures$xPsychological aspects 606 $aMotion pictures$xPolitical aspects 608 $aElectronic books. 615 0$aChildren in motion pictures. 615 0$aMotion pictures$xSocial aspects. 615 0$aMotion pictures$xPsychological aspects. 615 0$aMotion pictures$xPolitical aspects. 676 $a791.43/6523 701 $aOlson$b Debbie C.$f1961-$01037508 701 $aScahill$b Andrew$f1977-$01037509 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461993703321 996 $aLost and othered children in contemporary cinema$92458539 997 $aUNINA LEADER 02709nam 2200721Ia 450 001 9910958379403321 005 20200520144314.0 010 $a1-281-99313-1 010 $a9786611993139 010 $a3-11-020086-4 024 7 $a10.1515/9783110200867 035 $a(CKB)1000000000689096 035 $a(EBL)322923 035 $a(OCoLC)191926260 035 $a(SSID)ssj0000391616 035 $a(PQKBManifestationID)11242364 035 $a(PQKBTitleCode)TC0000391616 035 $a(PQKBWorkID)10359712 035 $a(PQKB)10203339 035 $a(WaSeSS)Ind00014096 035 $a(DE-B1597)32714 035 $a(OCoLC)979731129 035 $a(DE-B1597)9783110200867 035 $a(Au-PeEL)EBL322923 035 $a(CaPaEBR)ebr10197212 035 $a(CaONFJC)MIL199313 035 $a(OCoLC)607732722 035 $a(PPN)175580871 035 $a(MiAaPQ)EBC322923 035 $a(EXLCZ)991000000000689096 100 $a19860814d2006 uy 0 101 0 $ager 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHistoria animae utilis de barlaam et Ioasaph (Spuria) /$fbesorgt von Robert Volk 205 $a1st ed. 210 $aBerlin $cDe Gruyter$d2006 215 $a1 online resource (528 p.) 225 1 $aPatristische Texte und Studien ;$vBd. 60 225 0 $aDie Schriften des Johannes von Damaskos ;$v6, pt. 2 300 $aDescription based upon print version of record. 311 08$a3-11-018134-7 327 $t Frontmatter -- $tInhaltsverzeichnis -- $tHISTORIA ANIMAE UTILIS DE BARLAAM ET IOASAPH -- $t Backmatter 330 $aCritical edition of the Greek monastic romance Barlaam and Josaphat, traditionally ascribed to St John Damascene, in reality however a work from the late 10th cent., in all probability composed by the Georgian abbot Euthymios from Mount Athos. 330 $aKritische Erstausgabe des griechischen Mönchsromans Barlaam und Josaphat , traditionell dem Johannes von Damaskos zugeschrieben, in Wahrheit jedoch ein Werk des späten 10. 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