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200 10$aSonic multiplicities$b[electronic resource] $eHong Kong pop and the global circulation of sound and image /$fYiu Fai Chow and Jeroen de Kloet
210   $aChicago $cIntellect$d2013
215   $a1 online resource (190 p.)
300   $aDescription based upon print version of record.
311   $a1-84150-615-X 
320   $aIncludes bibliographical references and index.
327   $aCover; Half Title; Title; Copyright; Table of Contents; Acknowledgements; List of Figures and Table; INTRODUCTION: SONIC MULTIPLICITIES; Sonic disappearances; What is going on?; Overview; Chapter 1: ME AND THE DRAGON: A LYRICAL ENGAGEMENT WITH THE POLITICS OF CHINESENESS; Nationalistic songs; Another approach; Re-nationalization I: Descendants of the dragon; Re-nationalization II: Home and nation; Re-nationalization III: Performing acts (i) - writing against the grain; Re-nationalization IV: Performing acts (ii) - writing with a twist; Shoot the dragon
327   $aChapter 2: THE PRODUCTION OF LOCALITY IN GLOBAL POP - A COMPARATIVE STUDY OF POP FANS IN THE NETHERLANDS AND HONG KONGIntroduction; Globalization: A sense of locality; Fandom: On fans of local stars; Methodology; Production of locality: The linguistic and the heroic; Production of locality: The social, the charitable and the personal; Community; Charity; Character; Conclusion; Chapter 3: BLOWING IN THE CHINA WIND: ENGAGEMENTS WITH CHINESENESS IN HONG KONG'S ZHONGGUOFENG MUSIC VIDEOS; Destabilizing Chineseness; Feminizing Chineseness; Whither China Wind?; Chapter 4: SEX, MORALITY AND CANTOPOP
327   $aPicture GateThe Edison Chen scandal; The Confucian cum Victorian ethics and the spirit of global capitalism; Spectacle and image; Eye see you as I see you; Coda; Chapter 5: BUILDING MEMORIES - A STUDY OF POP VENUES IN HONG KONG; Fluid sounds; Monumental buildings; Building memories; The Coliseum; Belonging and temporality; Chapter 6: OLYMPIC CELEBRATIONS AND PERFORMATIVE CONTESTATIONS; The constative and the performative; Welcome to Olympic Beijing; Performing Olympic China from Hong Kong; Shanghai also welcomes you!; Criticality and popular culture
327   $aChapter 7: MUSIC, DESIRE AND THE TRANSNATIONAL POLITICS OF CHINESENESS: FOLLOWING DIANAFollowing Diana; Diasporic hope: Rewriting migration narrative; Musical hope: Rewriting modernity narrative; Language; Music; Body; Methodological endnote; The flow; The bodily; The political; The personal; Bibliography; Index; Back Cover
330   $a'Sonic Multiplicities is a fascinating book, with essays rich in empirical detail and - captivatingly combining the personal and the theoretical - evocative of the complexities of experience, desire and politics in our perplexingly mobile and entangled world. The book's focus on Hong Kong pop music as part of a translocal, if not global network of flows provides a starting point for the authors to unsettle received notions of Chineseness, place and identity, of particular importance in a time when we need to come to terms with, and resist, the increasingly stifling discourse of "the rise of Ch
606   $aPopular music$zChina$zHong Kong
606   $aPopular music$xSocial aspects
608   $aElectronic books.
615  0$aPopular music
615  0$aPopular music$xSocial aspects.
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700   $aChow$b Yiu Fai$0997077
701   $aKloet$b Jeroen de$0881540
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906   $aBOOK
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996   $aSonic multiplicities$92286548
997   $aUNINA