LEADER 03174oam  2200661I  450 
001 9910461953103321
005 20200520144314.0
010   $a1-283-64327-8
010   $a0-203-10469-2
010   $a1-136-25065-4
024 7 $a10.4324/9780203104699 
035   $a(CKB)2670000000259405
035   $a(EBL)1039326
035   $a(OCoLC)812911572
035   $a(SSID)ssj0000757886
035   $a(PQKBManifestationID)11413954
035   $a(PQKBTitleCode)TC0000757886
035   $a(PQKBWorkID)10758927
035   $a(PQKB)10273805
035   $a(MiAaPQ)EBC1039326
035   $a(Au-PeEL)EBL1039326
035   $a(CaPaEBR)ebr10611656
035   $a(CaONFJC)MIL395577
035   $a(EXLCZ)992670000000259405
100   $a20180706d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aEuropean Civil War films $ememory, conflict, and nostalgia /$fEleftheria Rania Kosmidou
210  1$aNew York :$cRoutledge,$d2013.
215   $a1 online resource (207 p.)
225 1 $aRoutledge advances in film studies ;$v18
225  0$aRoutledge advances in film studies ;$v18
300   $aDescription based upon print version of record.
311   $a1-138-65416-7 
311   $a0-415-52320-6 
320   $aIncludes filmography, bibliographical references, and index.
327   $aIntroduction -- Collective and cultural memory and their limitations: postmemory and cinematic modes of representations -- The Spanish Civil War: cinematic postmemories of the "last great cause" -- Cinematic representations of the Irish Civil War: Michael Collins and The wind that shakes the barley -- Cinematic representations of the former Yugoslavian civil war: Underground and No man's land -- Representation of the Greek Civil War in Theo Angelopoulos's The travelling players: the uses of intertextuality -- Conclusion.
330   $aThis book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. Exploring a range of films about the Spanish, Irish, former Yugoslavia, and Greek civil wars, this comparative and interdisciplinary study engages with contemporary debates in cultural memory and investigates the ways in which cinematic postmemory is problematic. Many of the films present an idealized past that glosses over the reality of these civil wars, at times producing a nostalgic discourse of loss and longing. Other films engage with the past in a melancholic fas
410  0$aRoutledge Advances in Film Studies
606   $aCivil war in motion pictures
606   $aCollective memory$zEurope
606   $aHistorical films$zEurope$xHistory and criticism
608   $aElectronic books.
615  0$aCivil war in motion pictures.
615  0$aCollective memory
615  0$aHistorical films$xHistory and criticism.
676   $a791.43/6581
700   $aKosmidou$b Eleftheria Rania$f1971-,$0981146
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910461953103321
996   $aEuropean Civil War films$92239389
997   $aUNINA