LEADER 02803nam 2200649 a 450 001 9910465643703321 005 20200520144314.0 010 $a1-78170-211-X 010 $a1-84779-287-1 035 $a(CKB)2560000000085814 035 $a(EBL)1069598 035 $a(OCoLC)818847332 035 $a(SSID)ssj0000712860 035 $a(PQKBManifestationID)12259416 035 $a(PQKBTitleCode)TC0000712860 035 $a(PQKBWorkID)10651140 035 $a(PQKB)10357794 035 $a(StDuBDS)EDZ0000085833 035 $a(MiAaPQ)EBC1069598 035 $a(OCoLC)1132667907 035 $a(MdBmJHUP)muse78006 035 $a(Au-PeEL)EBL1069598 035 $a(CaPaEBR)ebr10623345 035 $a(EXLCZ)992560000000085814 100 $a20101020d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTime and memory in reggae music$b[electronic resource] $ethe politics of hope /$fSarah Daynes 210 $aManchester ;$aNew York $cManchester University Press $cDistributed in the United States exclusively by Palgrave Macmillan$dc2010 215 $a1 online resource (321 p.) 225 1 $aMusic and society 300 $aDescription based upon print version of record. 311 $a1-78499-280-1 311 $a0-7190-7621-8 320 $aIncludes bibliographical references and index. 327 $apt. I. A study in elective affinity : music, religion, memory -- pt. I. Remembering the past -- pt. III. Revealing the future -- pt. IV. From revelation to revolution -- pt. V. Conclusion. 330 $aOn the basis of a body of reggae songs from the 1970's and late 1990's, this book offers a sociological analysis of memory, hope and redemption in reggae music. From Dennis Brown to Sizzla, the way in which reggae music constructs a musical, religious and socio-political memory in rupture with dominant models is vividly illustrated by the lyrics themselves. How is the past remembered in the present? How does remembering the past allow for imagining the future? How does collective memory participate into the historical grounding of collective identity? What is the relationship between tradition... 410 0$aMusic and society (Series) 606 $aReggae music$xHistory and criticism 606 $aReggae music$xSocial aspects 606 $aTime in music 608 $aElectronic books. 615 0$aReggae music$xHistory and criticism. 615 0$aReggae music$xSocial aspects. 615 0$aTime in music. 676 $a781.64609 700 $aDaynes$b Sarah$0760940 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465643703321 996 $aTime and memory in reggae music$92483922 997 $aUNINA LEADER 05267nam 22007453u 450 001 9910461893403321 005 20210108165448.0 010 $a1-280-68176-4 010 $a9786613658708 010 $a0-203-12147-3 010 $a1-136-32759-2 035 $a(CKB)2670000000205323 035 $a(EBL)981718 035 $a(OCoLC)804665800 035 $a(SSID)ssj0000654393 035 $a(PQKBManifestationID)11457393 035 $a(PQKBTitleCode)TC0000654393 035 $a(PQKBWorkID)10660324 035 $a(PQKB)11612718 035 $a(MiAaPQ)EBC981718 035 $a(EXLCZ)992670000000205323 100 $a20130418d2012|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArchitectural Colour in the Professional Palette$b[electronic resource] 210 $aHoboken $cTaylor and Francis$d2012 215 $a1 online resource (249 p.) 300 $aDescription based upon print version of record. 311 $a0-415-59708-0 327 $aCover; Title; Copyright Page; Contents; Preface; ONE: Introduction: investigations in the professional palette; Colour under threat; Meaning in colour; The power of colour; Investigations in the professional palette; TWO: Colour, form and material surface; Purple shadows; The perception of form; Surface; Material surface: a short history of pigments; Contemporary pigments; Pigments and health; Pigmented materials and the future; Colour, form and material surface; THREE: The unattainable myth of novelty: Caruso St John; Colour and cultural tradition; Victoriana at Bethnal Green 327 $aFashion and anti-fashionDressing and wrapping; FOUR: An intuitive palette: O'Donnell + Tuomey; Colour in the ethos of the office; Colour, form and surface; Meaning and association; Seriality in the palette; FIVE: Who's afraid of red, yellow and blue? Erich Wiesner and Otto Steidle; Artist/architects; Heroic Modernism; 'Colour Field' and the emancipation of colour in the 1950s and 1960s; Authority, originality and the creative impulse; Wiesner and Steidle: artist/architect collaboration; Rhythm and blues; Experimental echoes; SIX: Place, space, colour and light: Steven Holl; Colour and light 327 $aTemporalityLocation and translocation; Precision or doubt?; Space, place and time; SEVEN: Surface and edge: Gigon/Guyer; Genius loci; Variety as identity; High gloss: surface reflectance; The power of the edge; EIGHT: Memories, associations and the brightness of yellow: AHMM; Colour in the urban realm; 'Signing' rather than signage; Parrots among the pigeons; Developing the professional palette; The brightness of yellow; NINE: Synergies and discords: Sauerbruch Hutton; Between the physical and the visual; 2D to 3D; Well-being; Subverting the form; Irregularity in the facade 327 $aHarmony and dissonanceEquilibrium; TEN: Transformational, instrumental colour: UN Studio; Amorphous space; The instrumentality of colour; Experimentation; Illusion; Transformational colour; ELEVEN: Navigation, communication and language; Navigation systems; The art of communication; Digital colour space; TWELVE: Playing space: laws, rules and prescription; The wrong blue: subjective experience and objective recognition; Laws, rules and prescription: didactic approaches; Colour choice and composition; Between pragmatism and the sublime; Conclusion; Acknowledgements; Notes; Bibliography 327 $aImage creditsIndex 330 $aHow do architects use color? Do they adopt a different strategy or starting point for every project? Do they gradually cultivate individual color palettes, which develop alongside their body of built work? Do they utilize, or are they aware of, the body of theoretical work that underpins the use of color in the past, and forms the basis of most of the color systems commercially available today? Informed by the author's thirty years in architectural practice and academia, this book investigates, documents and analyzes the work of a number of contemporary architects in order to respond 606 $aArchitecture, Modern -- 20th century -- Themes, motives 606 $aArchitecture, Modern -- 21st century -- Themes, motives 606 $aColor in architecture 606 $aColor in architecture$xThemes, motives$y20th century 606 $aArchitecture, Modern$xThemes, motives$y21st century 606 $aArchitecture, Modern 606 $aArt, Architecture & Applied Arts$2HILCC 606 $aArchitecture$2HILCC 608 $aElectronic books. 615 4$aArchitecture, Modern -- 20th century -- Themes, motives. 615 4$aArchitecture, Modern -- 21st century -- Themes, motives. 615 4$aColor in architecture. 615 0$aColor in architecture$xThemes, motives 615 0$aArchitecture, Modern$xThemes, motives 615 0$aArchitecture, Modern 615 7$aArt, Architecture & Applied Arts 615 7$aArchitecture 676 $a720.1 676 $a729 700 $aMcLachlan$b Fiona$0854936 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910461893403321 996 $aArchitectural Colour in the Professional Palette$91909063 997 $aUNINA LEADER 01383nam a2200385 i 4500 001 991001321849707536 005 20020507191325.0 008 941121s1976 de ||| | eng 020 $a3540079882 (v.1) 020 $a3540123237 (v.2) 035 $ab10831319-39ule_inst 035 $aLE01310487$9ExL 040 $aDip.to Matematica$beng 082 0 $a512.7 084 $aAMS 11F03 084 $aAMS 11F11 084 $aAMS 11F12 084 $aAMS 11F72 100 1 $aHejhal, Dennis A.$059044 245 14$aThe Selberg trace formula for PSL (2, IR) /$cDennis A. Hejhal 260 $aBerlin ; New York :$bSpringer-Verlag,$c1976-1983 300 $a2 v. ;$c25 cm. 490 0 $aLecture notes in mathematics,$x0075-8434 ;$v1001 500 $aIncludes bibliographies 650 4$aAutomorphic forms 650 4$aRiemann surfaces 650 4$aSelberg trace formula 650 4$aZeta functions 907 $a.b10831319$b23-02-17$c28-06-02 912 $a991001321849707536 945 $aLE013 11F HEJ12 V.II (1983)$cV. 1$g1$i2013000017358$lle013$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10940157$z28-06-02 945 $aLE013 11F HEJ12 V.I (1976)$g1$i2013000061573$lle013$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10940169$z28-06-02 996 $aSelberg trace formula for PSL (2, IR$9923772 997 $aUNISALENTO 998 $ale013$b01-01-94$cm$da $e-$feng$gde $h4$i2