LEADER 02501nam 2200709 a 450 001 9910461888303321 005 20200520144314.0 010 $a3-11-081309-2 024 7 $a10.1515/9783110813098 035 $a(CKB)2670000000236044 035 $a(EBL)3040465 035 $a(SSID)ssj0000625714 035 $a(PQKBManifestationID)11348971 035 $a(PQKBTitleCode)TC0000625714 035 $a(PQKBWorkID)10615391 035 $a(PQKB)10577592 035 $a(MiAaPQ)EBC3040465 035 $a(WaSeSS)Ind00020100 035 $a(DE-B1597)43218 035 $a(OCoLC)873018925 035 $a(OCoLC)979784042 035 $a(DE-B1597)9783110813098 035 $a(Au-PeEL)EBL3040465 035 $a(CaPaEBR)ebr10588211 035 $a(CaONFJC)MIL571121 035 $a(EXLCZ)992670000000236044 100 $a19831021d1980 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe relationship of verbal and nonverbal communication$b[electronic resource] /$fedited by Mary Ritchie Key 205 $a2nd printing 1981. Reprint 2011 210 $aThe Hague ;$aNew York $cMouton$dc1980 215 $a1 online resource (426 p.) 225 0 $aContributions to the Sociology of Language [CSL] ;$v25 225 0$aContributions to the sociology of language ;$v25 300 $aDescription based upon print version of record. 311 $a90-279-7637-6 311 $a90-279-7878-6 320 $aIncludes bibliographical references and index. 327 $apt. 1. Language and nonverbal behavior as organizers of social systems -- pt. 2. The suprasegmentals of interaction -- pt. 3. Organization of language and non-verbal behavior -- pt. 4. Acquisition of communicative behavior -- pt. 5. Theoretical approaches to human interaction. 410 0$aContributions to the Sociology of Language [CSL] 606 $aNonverbal communication 606 $aOral communication 606 $aSocial interaction 608 $aElectronic books. 615 0$aNonverbal communication. 615 0$aOral communication. 615 0$aSocial interaction. 676 $a001.56 686 $aES 160$2rvk 700 $aKey$b Mary R., $01048429 701 $aKey$b Mary Ritchie$0450569 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461888303321 996 $aThe relationship of verbal and nonverbal communication$92476720 997 $aUNINA LEADER 01046nam2-2200325---450 001 990007481120403321 005 20220217154005.0 035 $a000748112 035 $aFED01000748112 035 $a(Aleph)000748112FED01 035 $a000748112 100 $a20030814d1943----km-y0itay50------ba 101 0 $aita 102 $aIT 200 1 $a<>giacimenti auriferi delle Alpi italiane$fAugusto Stella 210 $aRoma$cIstituto poligrafico dello Stato$d1943 215 $a134 p., 20 c. di tav.$cill.$d26 cm 300 $aIn testa al front.: Ministero delle corporazioni, R. Ufficio geologico 461 0$1001000183668$12001$aMemorie descrittive della carta geologica d'Italia$v27 610 0 $aAlpi$aGeologia 700 1$aStella,$bAugusto$03875 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007481120403321 952 $aCOLL.012(027)$bIst.s.i.$fILFGE 952 $aT 1/167$b042$fDINGE 959 $aILFGE 959 $aDINGE 996 $aGiacimenti auriferi delle Alpi italiane$92588164 997 $aUNINA LEADER 03696nam 22005171 450 001 9910790689703321 005 20230803021742.0 010 $a0-19-935932-6 010 $a0-19-992172-5 010 $a0-19-992173-3 035 $a(CKB)2550000001118745 035 $a(StDuBDS)AH25563572 035 $a(Au-PeEL)EBL3055630 035 $a(CaPaEBR)ebr10767062 035 $a(CaONFJC)MIL519218 035 $a(OCoLC)922972660 035 $a(MiAaPQ)EBC3055630 035 $a(EXLCZ)992550000001118745 100 $a20130924d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe art of music production $ethe theory and practice /$fRichard James Burgess 205 $aFourth edition. 210 1$aNew York :$cOxford University Press,$d2013. 215 $a1 online resource (352 pages) 300 $aPrevious edition: 2005. 311 $a0-19-992174-1 311 $a1-299-87967-5 320 $aIncludes bibliographical references and index. 330 8 $aThis reference guide includes advice on getting started as a producer, dealing with artists, record companies and lawyers, and managing a career in the music business. It also looks at new technologies and techniques.$bNow in its fourth edition, The Art of Music Production has established itself as the definitive guide to the art and business of music production and a primary teaching tool for college programs. It is the first book to comprehensively analyze and describe the non-technical role of the music producer.Author Richard James Burgess lays out the complex field of music production by defining the several distinct roles that fall under the rubric of music producer. In this completely updated and revised fourth edition of a book already lauded as "the most comprehensive guide to record production ever published," Burgess has expanded and refined the types of producers, bringing them fully up to date. The first part of the book outlines the underlying theory of the art of music production. Thesecond part focuses on the practical aspects of the job including training, getting into the business, day-to-day responsibilities, potential earnings, managers, lawyers, and - most importantly - the musical, financial, and interpersonal relationships producers have with artists and their labels. The bookis packed with insights from the most successful music producers ranging from today's chart-toppers to the beginnings of recorded sound, including mainstream and many niche genres. The book also features many revealing anecdotes about the business, including the stars and the challenges (from daily to career-related) a producer faces. Burgess addresses the changes in the nature of music production that have been brought about by technology and, in particular, the paradigmatic millennial shiftthat has occurred with digital recording and distribution. Burgess's lifelong experience in the recording industry as a studio musician, artist, producer, manager, and marketer combined with his extensive academic research in the field brings a unique breadth and depth of understanding to thetopic. 606 $aSound recording industry$xVocational guidance 606 $aSound recordings$xProduction and direction 615 0$aSound recording industry$xVocational guidance. 615 0$aSound recordings$xProduction and direction. 676 $a781.49023 700 $aBurgess$b Richard James$01492258 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790689703321 996 $aThe art of music production$93818770 997 $aUNINA