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100   $a20120703d2012      ub             0
101 0 $aeng
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181   $ctxt
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183   $acr
200 10$aDisney's most notorious film$b[electronic resource] $erace, convergence, and the hidden histories of Song of the South /$fby Jason Sperb
205   $a1st ed.
210   $aAustin $cUniversity of Texas Press$d2012
215   $a1 online resource (295 p.)
300   $aOriginally presented as the author's thesis (doctoral)--Indiana University, 2009.
311   $a0-292-73974-5 
320   $aIncludes bibliographical references and index.
327   $aIntroduction -- Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South -- A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South -- Conclusion.
606   $aRace relations in motion pictures
606   $aAfrican Americans in motion pictures
606   $aStereotypes (Social psychology) in motion pictures
606   $aMotion picture audiences$zUnited States
606   $aConvergence (Telecommunication)
608   $aElectronic books.
615  0$aRace relations in motion pictures.
615  0$aAfrican Americans in motion pictures.
615  0$aStereotypes (Social psychology) in motion pictures.
615  0$aMotion picture audiences
615  0$aConvergence (Telecommunication)
676   $a791.43/6552
700   $aSperb$b Jason$f1978-$0919376
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910461884203321
996   $aDisney's most notorious film$92285907
997   $aUNINA