LEADER 01034nam0-2200325---450- 001 990009754190403321 005 20130801112714.0 035 $a000975419 035 $aFED01000975419 035 $a(Aleph)000975419FED01 035 $a000975419 100 $a20130724d2006----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aac--bcg-001yd 200 1 $aDipinti e disegni antichi dal 15. al 19. secolo$easta 31$eMilano, via Olona 2, giovedì 23 novembre 2006 ... [etc.]$fPorro & C. 210 $aMilano$cPorro & C.$dstampa 2006 215 $a295 p.$cill.$d26 cm 610 0 $aDisegni$aSec. 16.-19.$aCataloghi di vendita 610 0 $aPittura$aSec. 16.-19.$aVendite all'asta 676 $a741.9$v22 676 $a759$v22 710 02$aPorro & C.$c$0434251 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990009754190403321 952 $a741.9 CATALOGHI 11$bBIBL. 60482$fFLFBC 959 $aFLFBC 996 $aDipinti e disegni antichi dal 15. al 19. secolo$9834284 997 $aUNINA LEADER 05130nam 2200637 a 450 001 9910461856203321 005 20200520144314.0 010 $a1-283-32867-4 010 $a9786613328670 010 $a90-272-7973-X 035 $a(CKB)2670000000133714 035 $a(EBL)799776 035 $a(OCoLC)769341963 035 $a(SSID)ssj0000992344 035 $a(PQKBManifestationID)11563682 035 $a(PQKBTitleCode)TC0000992344 035 $a(PQKBWorkID)10934095 035 $a(PQKB)10501216 035 $a(MiAaPQ)EBC799776 035 $a(Au-PeEL)EBL799776 035 $a(CaPaEBR)ebr10594512 035 $a(CaONFJC)MIL332867 035 $a(EXLCZ)992670000000133714 100 $a19841130d1985 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aDiscourse and literature$b[electronic resource] /$fedited by Teun A. van Dijk 210 $aAmsterdam ;$aPhiladelphia $cJ. Benjamins Pub. Co.$d1985 215 $a1 online resource (253 p.) 225 0$aCritical theory ;$vv. 3 300 $aDescription based upon print version of record. 311 $a0-915027-54-2 311 $a90-272-2405-6 320 $aIncludes bibliographical references and indexes. 327 $aDISCOURSE AND LITERATURE; Editorial page; Title page; Copyright page; Table of contents; PREFACE; INTRODUCTION THE COMMON ROOTS OF THE STUDIES OF LITERATURE AND DISCOURSE; 1. Historical perspective; 2. Contemporary developments; 3. New approaches and further prospects; BIO-BIBLIOGRAPHICAL NOTE; SELECTIVE BIBLIOGRAPHY; TEXT AND DISCOURSE LINGUISTICS, RHETORIC, AND STYLISTICS; 1. Problems in the Comparison of Text Linguistics with Rhetoric and StyUstics; 2. Rules and Principles; 3. The Domains of Rhetoric and Stylistics; 4. A Comparison with the Domain of Text Linguistics 327 $a5. Examples of Problems Shared by Linguistics and Rhetoric6. Structure and Process in Rhetoric and Linguistics; BIO-BIBLIOGRAPHICAL NOTE; REFERENCES; STYLISTICS; 1. Introduction; 2. The text; 3. Stylistic Analysis: Deviation and Foregrounding; 4. Secondary and Tertiary Deviation; 5. Coherence of Foregrounding; 5.1. Cohesion of Foregrounding; 5.2. Congruence of foregrounding; 6. The Poem's Interpretation; 7. Conclusion; BIO-BIBLIOGRAPHICAL NOTE; NOTES; REFERENCES; RHETORIC; 0. Classical and Modern Rhetoric: A Comparison; 1. A Model of Rhetorical Competence: The Classification of the Figures 327 $a1.1. The (Semio-)Syntactic Figures1.2. The (Semio-)Semantic and Pragmatic Figures; 2. A Model of Rhetorical Performance: The Classification of Functions; 3. Rhetorical Analysis: A Poem by E.E. Cummings; BIO-BIBLIOGRAPHICAL NOTE; REFERENCES; LITERARY NARRATIVES; 1. Introduction; 2. Abstract Narratology; 2.1. Propp's narrative functions; 2.2. The structural analysis of myth; 2.3. Narrative mediation; 2.4. Semiotics of narrative; 2.5. An observational grammar of narratives; 2.6. Narratives and natural language; 2.7. The logic of narrative possibilities; 2.8. New formal techniques 327 $a2.9. Narrative semantics3. Textual Narratology; 3.1. The discourse of Stories; BIO-BIBLIOGRAPHICAL NOTE; NOTE; REFERENCES; POEMS; Introduction; 0.1. Definition; 0.2. Framework of description; 0.3. Verse codes (or planes); 1. Theme; 1.1. Level of specificity; 1.2. Content; 1.3. Format; 2. Deep Design (DD); 3. Deep Structure (DS); 4. Surface Structure (SS); 4.1. The problem of uniqueness; 4.2. Deriving surface structure; BIO-BIBLIOGRAPHICAL NOTE; NOTES; REFERENCES; SONG; Introduction; 1. Markers of Song and their Significance; 1.1. Resonance; 1.2. Pitch; 1.3. Stress 327 $a2. Performance Styles and their Significance3. Syntagmatic Forms of Song; 4. Fragment of an Analysis; 5. Conclusion; BIO-BIBLIOGRAPHICAL NOTE; REFERENCES; GRAFFITI; 1. The Concept of Graffiti - Origin and Definition; 2. Historical Aspects of Graffit; 3. Sources of Graffiti; 4. Forms of Graffiti; 5. Thematic Emphasis of Graffiti; 6. Authors of Graffiti; 7. Addressees of Graffiti; 8. Motives for Producing Graffiti; 9. Linguistic Functions within Graffiti; 10. Absence of Social Norms; 11. The Commercialization of Graffiti; BIO-BIBLIOGRAPHICAL NOTE; REFERENCES; LETTERS; 0. Introduction 327 $a1. Structure of the 'Enonciation' (Utterance). Some general remarks on deixis in letters. 330 $aDiscourse and Literature boldly integrates the analysis of literature and non-literary genres in an innovative embracing study of discourse. Narrative, poetry, drama, myths, songs, letters, Biblical discourse and graffiti as well as stylistics and rhetorics are the topics treaded by twelve well-known specialists selected and introduced by Teun A. van Dijk. 606 $aDiscourse analysis, Literary 608 $aElectronic books. 615 0$aDiscourse analysis, Literary. 676 $a808/.00141 701 $aDijk$b Teun Adrianus van$f1943-$0154359 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461856203321 996 $aDiscourse and Literature$9471539 997 $aUNINA