LEADER 04236nam 22008772 450 001 9910461804103321 005 20151005020622.0 010 $a1-107-23207-4 010 $a1-139-50836-9 010 $a1-283-52179-2 010 $a1-139-51804-6 010 $a9786613834249 010 $a1-139-17725-7 010 $a1-139-51897-6 010 $a1-139-51454-7 010 $a1-139-51546-2 010 $a1-139-51711-2 035 $a(CKB)2670000000231248 035 $a(EBL)944755 035 $a(OCoLC)804664390 035 $a(SSID)ssj0000741386 035 $a(PQKBManifestationID)11384353 035 $a(PQKBTitleCode)TC0000741386 035 $a(PQKBWorkID)10720699 035 $a(PQKB)10422682 035 $a(UkCbUP)CR9781139177252 035 $a(MiAaPQ)EBC944755 035 $a(Au-PeEL)EBL944755 035 $a(CaPaEBR)ebr10583292 035 $a(CaONFJC)MIL383424 035 $a(EXLCZ)992670000000231248 100 $a20111028d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe logic of slavery $edebt, technology, and pain in American literature /$fTim Armstrong, Royal Holloway, University of London$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2012. 215 $a1 online resource (x, 252 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in American literature and culture 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-60781-7 311 $a1-107-02507-9 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: Illustrations; Acknowledgments; Introduction; 1. Slavery, insurance, and sacrifice: the embodiment of capital; 2. Debt, self-redemption, and foreclosure; 3. Machines inside the machine: slavery and technology; 4. The hands of others: sculpture and pain; 5. The sonic veil; 6. Slavery in the mind: trauma and the weather; Notes; Index. 330 $aIn American history and throughout the Western world, the subjugation perpetuated by slavery has created a unique 'culture of slavery'. That culture exists as a metaphorical, artistic and literary tradition attached to the enslaved - human beings whose lives are 'owed' to another, who are used as instruments by another and who must endure suffering in silence. Tim Armstrong explores the metaphorical legacy of slavery in American culture by investigating debt, technology and pain in African-American literature and a range of other writings and artworks. Armstrong's careful analysis reveals how notions of the slave as a debtor lie hidden in our accounts of the commodified self and how writers like Nathaniel Hawthorne, Rebecca Harding Davis, Booker T. Washington, W. E. B. Du Bois, Ralph Ellison and Toni Morrison grapple with the pervasive view that slaves are akin to machines. 410 0$aCambridge studies in American literature and culture. 606 $aSlavery in literature 606 $aAmerican literature$y19th century$xHistory and criticism 606 $aAmerican literature$y20th century$xHistory and criticism 606 $aAmerican literature$xAfrican American authors$xHistory and criticism 606 $aSlavery in art 606 $aSlavery$zUnited States$xHistory 606 $aSlavery$xPsychological aspects 606 $aSlavery$xEconomic aspects 606 $aCommodification 606 $aReification 615 0$aSlavery in literature. 615 0$aAmerican literature$xHistory and criticism. 615 0$aAmerican literature$xHistory and criticism. 615 0$aAmerican literature$xAfrican American authors$xHistory and criticism. 615 0$aSlavery in art. 615 0$aSlavery$xHistory. 615 0$aSlavery$xPsychological aspects. 615 0$aSlavery$xEconomic aspects. 615 0$aCommodification. 615 0$aReification. 676 $a810.9/355 700 $aArmstrong$b Tim$f1956-$01052871 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910461804103321 996 $aThe logic of slavery$92484394 997 $aUNINA