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100   $a20120510d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aDramma giocoso$b[electronic resource] $efour contemporary perspectives on the Mozart/Da Ponte operas /$fJulian Rushton ... [et al.]
210   $aLeuven $cLeuven University Press$d2012
215   $a1 online resource (144 p.)
225 1 $aCollected writings of the Orpheus Institute ;$v#10
300   $aDescription based upon print version of record.
311   $a90-5867-845-8 
320   $aIncludes bibliographical references.
327   $a'By their arias shall ye know them' : characterization in aria-based opera / Julian Rushton -- Don Ottavio and the history of the tenor voice / Stefan Rohringer -- Don Giovanni then and now : text and performance / Sergio Durante -- The Act IV finale of Le nozze di Figaro : dramatic and musical construction / James Webster.
330 8 $aIn exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, this collection of studies does not shun approaches that have foundations in established theory, but refracts them through such problems as the tension between operatic tradition and psychological realism, the co-existence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions, but also probe the nature of musical analysis itself.
410  0$aCollected writings of the Orpheus Institute ;$v#10.
606   $aMusical analysis
608   $aElectronic books.
615  0$aMusical analysis.
676   $a782.1
701   $aRushton$b Julian$0791959
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910461780403321
996   $aDramma giocoso$92477883
997   $aUNINA