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010   $a9786613341341
010   $a1-60473-361-6
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181   $ctxt
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183   $acr
200 10$aRichard Dyer-Bennet$b[electronic resource] $ethe last minstrel /$fPaul O. Jenkins ; foreword by Bonnie Dyer-Bennet ; afterword by Andrew Schulman
210   $aJackson $cUniversity Press of Mississippi$dc2010
215   $a1 online resource (208 p.)
225 1 $aAmerican made music series
300   $aDescription based upon print version of record.
311   $a1-60473-360-8 
320   $aIncludes discography (p. 137-142), bibliographical references (p. 157-171), and index.
327   $aCover; CONTENTS; ACKNOWLEDGMENTS; FOREWORD; INTRODUCTION; CHAPTER 1. Master and Pupil; CHAPTER 2. New York; CHAPTER 3. Early Recordings; CHAPTER 4. Aspen Interlude and Life on the Road; CHAPTER 5. The Blacklist; CHAPTER 6. Dyer-Bennet Records; CHAPTER 7. The Lovely Milleress and Stony Brook; CHAPTER 8. The Odyssey of Richard Dyer-Bennet; CHAPTER 9. The Legacy of Richard Dyer-Bennet; AFTERWORD: Richard Dyer-Bennet as Guitarist; DISCOGRAPHY; REPERTOIRE; NOTES; REFERENCES; INDEX;
330   $aIn the 1940's and '50's, Richard Dyer-Bennet (1913-1991) was among the best known and most respected folk singers in America. Paul O. Jenkins tells, for the first time, the story of Dyer-Bennet, often referred to as the ""Twentieth-Century Minstrel."" Dyer-Bennet's approach to singing sounded almost foreign to many American listeners. The folk artist followed a musical tradition in danger of dying out. The Swede Sven Scholander was the last European proponent of minstrelsy and served as Dyer-Bennet's inspiration after the young singer traveled to Stockholm to meet him one year before Scholander'
410  0$aAmerican made music series.
606   $aFolk singers$zUnited States$vBiography
608   $aElectronic books.
615  0$aFolk singers
676   $a782.42162/0092
676   $aB
700   $aJenkins$b Paul O$091497
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910461752103321
996   $aRichard Dyer-Bennet$92448970
997   $aUNINA