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100   $a20180706d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDoubt /$fRichard Shiff ; [with an introduction by Rosie Bennett]
210  1$aNew York :$cRoutledge,$d2008.
215   $a1 online resource (210 p.)
225 1 $aTheories of modernism and postmodernism in the visual arts ;$vv. 3
300   $aDescription based upon print version of record.
311   $a0-415-97309-0 
311   $a0-415-97308-2 
320   $aIncludes bibliographical references and index.
327   $a""Front Cover ""; ""Doubt""; ""Copyright Page""; ""Contents""; ""Series Preface""; ""Introduction""; ""To Fix Art History In Memory: Rosie Bennett ""; ""Doubt""; ""Seminar""; ""Endnotes""; ""Publications by Richard Shiff""; ""Index""
330   $aIn an age where art history's questions are now expected to receive answers, Richard Shiff presents a challenging alternative. In this essential new addition to James Elkins's series Theories of Modernism and Postmodernism in the Visual Arts, Richard Shiff embraces doubt as a critical tool and asks how particular histories of art have come to be. Shiff's turn to doubt is not a retreat to relativism, but rather an insistence on clear thinking about art. In particular, Shiff takes issue with the style of self-referential art writing seemingly 'licensed' by Roland Barthes. With an introduction by
410  0$aTheories of modernism and postmodernism in the visual arts ;$vv. 3.
606   $aModernism (Art)$zUnited States
606   $aArt, American$y20th century
606   $aArt criticism
608   $aElectronic books.
615  0$aModernism (Art)
615  0$aArt, American
615  0$aArt criticism.
676   $a709.04
700   $aShiff$b Richard.$0912447
701   $aBennett$b Rosie$0912448
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910461744203321
996   $aDoubt$92043686
997   $aUNINA