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CARID, Centro di ateneo per la ricerca, l'innovazione didattica e l'istruzione a distanzaMaster universitario a distanza in Economia non profit e cooperazione allo sviluppo 606 0 $aPaesi in via di sviluppo$xRuolo [delle] organizzazioni economiche internazionali 676 $a338.91091724 702 1$aPARRILLI,$bMario Davide 801 0$aIT$bsalbc$gISBD 912 $a990003078610203316 951 $aXXIII.2.A. 197 (IG VIII 16 IT 243)$b16313 E.C.$cXXIII.2.A. 197 (IG VIII)$d00210428 959 $aBK 969 $aECO 979 $aCHIARA$b90$c20080312$lUSA01$h0958 979 $aCHIARA$b90$c20080312$lUSA01$h0959 979 $aCHIARA$b90$c20080312$lUSA01$h1009 979 $aCHIARA$b90$c20080312$lUSA01$h1010 979 $aCHIARA$b90$c20080312$lUSA01$h1223 979 $aRSIAV4$b90$c20091109$lUSA01$h1210 996 $aCooperazione internazionale e istituzioni economiche$91023839 997 $aUNISA LEADER 01574nam--2200433---450- 001 990002464330203316 005 20050901152947.0 010 $a88-317-8640-7 035 $a000246433 035 $aUSA01000246433 035 $a(ALEPH)000246433USA01 035 $a000246433 100 $a20050901d2005----km-y0itay0103----ba 101 $aita 102 $aIT 105 $aa|||||||001yy 200 1 $aAndrea Palladio e la villa veneta da Petrarca a Carlo Scarpa$e[Vicenza, Museo Palladio in palazzo Barbaran da Porto, 5 marzo-3 luglio 2005]$fa cura di Guido Beltramini e Howard Burns$gfotografie delle ville di Pino Guidolotti 210 $aVenezia$cMarsilio$d2005 215 $aXVI, 484 p.$cill.$d29 cm. 300 $aIn testa al front.: Centro internazionale di studi di architettura Andrea Palladio 300 $aCatalogo della mostra tenuta a Vicenza nel 2005 410 0$12001 454 1$12001 461 1$1001-------$12001 600 1$aPalladio,$bAndrea$xVille$xEsposizioni$yVicenza$z2005 606 0 $aVille venete$zSec. 16.-20.$xEsposizioni$yVicenza$z2005 676 $a728.809453 702 1$aBELTRAMINI,$bGuido 702 1$aBURNS,$bHoward 702 1$aGUIDOLOTTI,$bPino 801 0$aIT$bsalbc$gISBD 912 $a990002464330203316 951 $aXII.2.D. 239 (VII E 973)$b179986 L.M.$cVII E$d00129037 959 $aBK 969 $aUMA 979 $aRIVELLI$b90$c20050901$lUSA01$h1527 979 $aRIVELLI$b90$c20050901$lUSA01$h1529 996 $aAndrea Palladio e la villa veneta da Petrarca a Carlo Scarpa$9735652 997 $aUNISA LEADER 03080nam 2200649 a 450 001 9910461692403321 005 20200520144314.0 010 $a1-280-49062-4 010 $a9786613585851 010 $a0-8139-3166-5 035 $a(CKB)2670000000176392 035 $a(OCoLC)785928180 035 $a(CaPaEBR)ebrary10554873 035 $a(SSID)ssj0000606558 035 $a(PQKBManifestationID)11372164 035 $a(PQKBTitleCode)TC0000606558 035 $a(PQKBWorkID)10581347 035 $a(PQKB)10925801 035 $a(MiAaPQ)EBC3444008 035 $a(MdBmJHUP)muse4030 035 $a(Au-PeEL)EBL3444008 035 $a(CaPaEBR)ebr10554873 035 $a(CaONFJC)MIL358585 035 $a(EXLCZ)992670000000176392 100 $a20110308d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOn endings$b[electronic resource] $eAmerican postmodern fiction and the Cold War /$fDaniel Grausam 210 $aCharlottesville $cUniversity of Virginia Press$d2011 215 $a1 online resource (206 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8139-3162-2 311 $a0-8139-3161-4 320 $aIncludes bibliographical references (p. [179]-189) and index. 327 $aIntroduction: On endings -- Institutionalizing postmodernism: John Barth and modern war -- The Crying of Lot 49, circa 1642; or, Pynchon, periodicity, and total war -- The time of the nation, the time of the state -- Unthinking the thinkability of the unthinkable -- Trying to understand end zone -- The dominant tense: Richard Powers and late postmodernism -- Afterword: Critical conventions/postmodern canons. 330 $aWhat does narrative look like when the possibility of an expansive future has been called into question? This query is the driving force behind Daniel Grausam's On Endings, which seeks to show how the core texts of American postmodernism are a response to the geopolitical dynamics of the Cold War and especially to the new potential for total nuclear conflict. Postwar American fiction needs to be rethought, he argues, by highlighting postmodern experimentation as a mode of profound historical consciousness. 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