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100   $a20180706d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aAdapting Chekhov $ethe text and its mutations /$fedited by J. Douglas Clayton and Yana Meerzon
210  1$aNew York :$cRoutledge,$d2013.
215   $a1 online resource (335 p.)
225 1 $aRoutledge advances in theatre and performance studies ;$v23
225  0$aRoutledge advances in theatre and performance studies ;$v23
300   $aDescription based upon print version of record.
311   $a1-138-93767-3 
311   $a0-415-50969-6 
320   $aIncludes bibliographical references and index.
327   $apt. I. On categories, techniques, and methodologies of mutation -- pt. II. Chekhov in the post[ist] context -- pt. III. Performing Chekhov in radical mutations.
330   $aThis book considers the hundred years of re-writes of Anton Chekhov's work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov's dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book pr
410  0$aRoutledge advances in theatre and performance studies.
608   $aElectronic books.
676   $a891.72/3
701   $aClayton$b J. Douglas$0876513
701   $aMeerzon$b Yana$0876514
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910461669603321
996   $aAdapting Chekhov$91957227
997   $aUNINA