LEADER 03570nam 22006732 450 001 9910461655903321 005 20151002020704.0 010 $a0-7486-7090-4 010 $a1-283-22179-9 010 $a9786613221797 010 $a0-7486-4703-1 035 $a(CKB)2670000000107382 035 $a(EBL)744029 035 $a(OCoLC)745866880 035 $a(SSID)ssj0000529768 035 $a(PQKBManifestationID)11318453 035 $a(PQKBTitleCode)TC0000529768 035 $a(PQKBWorkID)10557897 035 $a(PQKB)11508870 035 $a(UkCbUP)CR9780748647033 035 $a(StDuBDS)EDZ0000092849 035 $a(MiAaPQ)EBC744029 035 $a(Au-PeEL)EBL744029 035 $a(CaPaEBR)ebr10491700 035 $a(CaONFJC)MIL322179 035 $a(EXLCZ)992670000000107382 100 $a20130322d2011|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFraming pictures $efilm and the visual arts /$fSteven Jacobs$b[electronic resource] 210 1$aEdinburgh :$cEdinburgh University Press,$d2011. 215 $a1 online resource (xiv, 210 pages) $cdigital, PDF file(s) 225 1 $aEdinburgh Studies in Film 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 $a0-7486-6876-4 311 $a0-7486-4017-7 320 $aIncludes bibliographical references and index. 327 $aCamera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema. 330 $aThrough the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative. He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall. Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike. 410 0$aEdinburgh Studies in Film 606 $aMotion pictures and the arts 606 $aArt and motion pictures 606 $aMotion pictures$xAppreciation 606 $aMotion pictures$xPhilosophy 615 0$aMotion pictures and the arts. 615 0$aArt and motion pictures. 615 0$aMotion pictures$xAppreciation. 615 0$aMotion pictures$xPhilosophy. 676 $a791.4/3657 700 $aJacobs$b Steven$f1967-$0970007 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910461655903321 996 $aFraming pictures$92489382 997 $aUNINA