LEADER 03258nam  2200577 a 450 
001 9910461650303321
005 20200520144314.0
010   $a0-8214-4376-3
035   $a(CKB)2670000000094451
035   $a(EBL)1746154
035   $a(OCoLC)884646793
035   $a(SSID)ssj0000521760
035   $a(PQKBManifestationID)11309526
035   $a(PQKBTitleCode)TC0000521760
035   $a(PQKBWorkID)10527554
035   $a(PQKB)10205335
035   $a(MiAaPQ)EBC1746154
035   $a(OCoLC)732958816
035   $a(MdBmJHUP)muse9412
035   $a(Au-PeEL)EBL1746154
035   $a(CaPaEBR)ebr10470375
035   $a(EXLCZ)992670000000094451
100   $a20110103d2011      uy             p
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCracks in the invisible$b[electronic resource] $epoems /$fStephen Kampa
210   $aAthens $cOhio University Press$d2011
215   $a1 online resource (119 p.)
225 1 $aHollis Summers Poetry Prize
300   $aDescription based upon print version of record.
311   $a0-8214-1952-8 
320   $aIncludes bibliographical references.
327   $aAperture; I. Sightings; Phenomena, Numina, Startling Sparrows; Theodicy; 12:13 PM . . . 33° . . . Low-Interest Finance Offers Available . . . Happy Thanksgiving; Behold, I Come as a Thief; Oracle from the Throat of the Cornucopia; The Reclamation of Paradise; II. Sidewalk Chalk; After Grief; Twenty-First-Century Prothalamion; Temptation; Organic Decomposition; An Anatomy of Autonomy; Message on a Bottle; Not at the Grave of Dylan Thomas; Lines for an Inspirational Poster; III. Elegies and Valedictions; Upon First Viewing Ball of Fire; Soul; Upon Finishing Don Juan; Elegy for Paul deLay
327   $aDracula in Spanish: Imitations of ImmortalityIV. Voices in My Head; The Therapist on Teleology; Being Undressed; Masterpiece Interrupted by Hobo, Park Bench, 1999; The Nickname; Reading Pilgrim's Progress While Waiting to Be Tested for STDs; V. Absence Makes the Heart; XOXOXO; Patience; Streetlight and Stars; Nocturne in the Key of Water; Domestic Operetta for One Voice; VI. A Little Wind and Smoke; Autobiography; Mirror Image; A Closer Walk with Thee; Notes
330   $aStephen Kampa's poems are witty and restless in their pursuit of an intelligent modern faith. They range from a four-line satire of office inspirational posters to a lengthy meditation on the silence of God. The poems also revel in the prosodic possibilities of English'shigh and low registers: a twenty-one line homageto Lord Byron that turns on three rhymes (one of which is "eisegesis"); a sestina whose end words include "sentimental," "Marseilles," and "Martian;" sapphics on the death of Ray Charles; and intricately modulated stanzas on the 1931 Spanish-language movie version of Dracula.  De
410  0$aHollis Summers Poetry Prize
606   $aLife$vPoetry
608   $aElectronic books.
615  0$aLife
676   $a811/.6
700   $aKampa$b Stephen$f1981-$0883920
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910461650303321
996   $aCracks in the invisible$91974078
997   $aUNINA