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200 10$aMusic, sexuality and the enlightenment in Mozart's Figaro, Don Giovanni and Cosi? Fan Tutte$b[electronic resource] /$fCharles Ford
210   $aFarnham, Surrey, U.K. ;$aBurlington, VT $cAshgate Pub.$d2012
215   $a1 online resource (351 p.)
300   $aDescription based upon print version of record.
311   $a0-7546-6889-4 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; List of Figures and Tables; List of Music Examples; Notes on the Text; Part I: Overtures; 1 Introduction; 2 Enlightenment as Negative Freedom; 3 Enlightened Music; Part II: Masculine Music; 4 Music of Enlightened Masculinity; 5 Angry Masculine Music; 6 Libertinage and Musical Libertinage; 7 The Enlightenment's Legitimation of Feelings; 8 Sensitive Masculine Music; 9 Music of Enlightened Femininity; 10 Sorrowful Feminine Music; 11 Hysterical Feminine Music; 12 Music of Feminine Moral Frailty; 13 The Musical Ridicule of Female Intentions
327   $a14 Two Maids' and a Peasant Girl's MusicConclusions to Part III The Differentiation of Feminine Music; Part IV: Seductions; 15 Simple Musical Seductions; 16 Complex Musical Seduction: Fiordiligi and Ferrando; Part V: Finales; 17 Five Finales; 18 Don Giovanni and the Stone Man; 19 Kant, Sade and Don Giovanni; 20 Cosi? fan tutte, Act II Finale; 21 The Futures of the Operas; Bibliography; Music Examples; Index
330   $aThis analytical study explains how Mozart's music for Le Nozze di Figaro, Don Giovanni and Cosi? fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart did not merely interpret Da Ponte's characterisations but lent them temporal, musical forms. Charles Ford's analysis presents a new method by which to relate the music of the operas to the thinking of the European Enlightenment, involving close readings of late eighteenth-century understandings of 'man' and nature, self and other, morality and transgression, and gendered identities and sexuali
606   $aSex in music
606   $aOpera$y18th century
608   $aElectronic books.
615  0$aSex in music.
615  0$aOpera
676   $a782.1092
700   $aFord$b Charles$g(Charles C.)$043832
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906   $aBOOK
912   $a9910461649403321
996   $aMusic, sexuality and the enlightenment in Mozart's Figaro, Don Giovanni and Cosi? Fan Tutte$92274659
997   $aUNINA