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010   $a9786613636485
010   $a1-61147-518-X
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035   $a(EBL)886807
035   $a(OCoLC)845243880
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035   $a(PQKBTitleCode)TC0000645789
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100   $a20111205d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFilming Forster$b[electronic resource] $ethe challenges in adapting E.M. Forster's novels for the screen /$fEarl G. Ingersoll
210   $aMadison [NJ] $cFairleigh Dickinson University Press ;$aLanham, Md. $cCo-published with Rowman & Littlefield$dc2012
215   $a1 online resource (283 p.)
300   $aDescription based upon print version of record.
311   $a1-61147-517-1 
320   $aIncludes bibliographical references and index.
327   $aCONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; Chapter 1. THE LAST EPIC: David Lean's A Passage to India; Chapter 2. A SURPRISING SUCCESS: Merchant Ivory's A Room with a View; Chapter 3. BREAKING GROUND: Merchant Ivory's Maurice; Chapter 4. ANOTHER TUSCANY: Charles Sturridge's Where Angels Fear to Tread; Chapter 5. HANDLING AN ICON: Merchant Ivory's Howards End; BIBLIOGRAPHY; INDEX; ABOUT THE AUTHOR
330   $aFilming Forster focuses upon the challenges filmmakers confronted in producing film adaptations of E. M. Forster's fiction. Working on the principle of an interactive relationship between two equally valuable modes of storytelling, this book maintains that the film adaptation and adapted text shape the meaning of each other in a continuing process of mutual illumination. 
606   $aEnglish fiction$vFilm adaptations
606   $aFilm adaptations$xHistory and criticism
608   $aElectronic books.
615  0$aEnglish fiction
615  0$aFilm adaptations$xHistory and criticism.
676   $a791.436
700   $aIngersoll$b Earl G.$f1938-$0549337
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910461635803321
996   $aFilming Forster$92008325
997   $aUNINA