LEADER 04710nam 2200625 450 001 9910461627303321 005 20200520144314.0 010 $a1-283-36700-9 010 $a9786613367006 010 $a1-891278-70-3 035 $a(CKB)2670000000099374 035 $a(EBL)4617344 035 $a(SSID)ssj0000649328 035 $a(PQKBManifestationID)11456559 035 $a(PQKBTitleCode)TC0000649328 035 $a(PQKBWorkID)10601991 035 $a(PQKB)11006582 035 $a(MiAaPQ)EBC4617344 035 $a(Au-PeEL)EBL4617344 035 $a(CaPaEBR)ebr11241113 035 $a(OCoLC)956277752 035 $a(EXLCZ)992670000000099374 100 $a20160826h20072007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic therapy improvisation for groups $eessential leadership competencies /$fSusan C. Gardstrom 210 1$aGilsum, New Hampshire :$cBarcelona Publishers,$d2007. 210 4$dİ2007 215 $a1 online resource (175 p.) 300 $aDescription based upon print version of record. 311 $a1-891278-49-5 320 $aIncludes bibliographical references. 327 $aCover; Title Page; Copyright; Acknowledgments; Table of Contents; Chapter One: Introduction; Essential Competencies; Suggestions for Using This Book; Chapter Two: Terms and Nomenclature of Improvisation; Foundational Definitions; Methods, Procedures, Techniques; Referential and Nonreferential Improvisations; Givens; Improvisation Versus a Drum Circle; Chapter Three: Instruments of Improvisation; Instrumentarium; Mallets; Getting to Know Your Instruments; Ambidexterity; Selecting the Instruments; Quality; Number; Types; Client Age; Cautions; Needs and Objectives; The Therapist's Instrument 327 $aArranging the EnvironmentPresenting the Instruments; Sound Vocabulary; Chapter Four: Musical Elements of Improvisation; Rhythmic Elements; Language and Rhythm; Tonal Elements; Textural Elements; Dynamic Elements; Timbral Elements; Chapter Five: Structures for Improvisation; Session Structures; Selecting and Presenting Givens and Referents; Selection; Presentation; Chapter Six: Nonmusical Facilitation Skills (Verbal & Gestural); Starting and Stopping; Starting; Stopping; Communicating During Improvisation; Movement; Physical Assistance; Chapter Seven: Musical Facilitation Skills 327 $aTechniques of EmpathyImitating; Synchronizing; Incorporating; Pacing; Reflecting; Structuring Techniques; Rhythmic Grounding; Tonal Centering; Elicitation Techniques; Repeating; Modeling; Making Spaces; Interjecting; Redirection Techniques; Introducing Change; Intensifying; Intimacy Techniques; Sharing Instruments; Bonding; Soliloquizing; Procedural Techniques; Receding; Referential Techniques; Free Associating; Emotional Exploration Techniques; Holding; Doubling; Contrasting; Splitting; Transferring; Chapter Eight: Making Sense of What We Hear: The IAPs 327 $aImprovisation Assessment Profiles (IAPs)Intramusical Relationships; Intermusical Relationships; The Profiles; Salience; Integration; Variability; Tension; Congruence; Autonomy; Summary and Caveats; Chapter Nine: Verbal Skills; To Process or Not to Process; Focal Point of Verbal Processing; Role of the Therapist; Verbal Techniques; Probe; Reflection of Feeling; Clarification; Checking Out; Self-Disclosure; Summary; Chapter Ten: Closing; Appendix A--Essential Competencies for Clinical Improvisation; Appendix B--Exercises; Appendix C--Referents for Clinical Music Improvisation 327 $aAppendix D--Harmonic Progressions/VampsAppendix E--Givens/Parameters; Appendix F--IAP Profiles and Scales; References 330 $aThis unprecedented book provides clinicians, educators, and trainers with knowledge-based and skill-based competencies in group improvisation leadership and a suggested sequence for instruction in these specific competencies. The competencies pinpointed fall into three categories: Preparatory Skills (before the improvisation), Facilitative Skills (during the improvisation), and Verbal Processing Skills (after the improvisation). The book contains clinical vignettes and 80 exercises designed to reinforce competency in the aforementioned areas. ( 606 $aImprovisation (Music) 606 $aMusic therapy 608 $aElectronic books. 615 0$aImprovisation (Music) 615 0$aMusic therapy. 676 $a781.36 700 $aGardstrom$b Susan C.$0898923 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461627303321 996 $aMusic therapy improvisation for groups$92008321 997 $aUNINA