LEADER 02462nam 2200589 a 450 001 9910461540903321 005 20200520144314.0 010 $a1-283-19468-6 010 $a9786613194688 010 $a1-4081-4652-5 035 $a(CKB)2670000000105961 035 $a(EBL)738809 035 $a(OCoLC)743693883 035 $a(SSID)ssj0000671684 035 $a(PQKBManifestationID)11409107 035 $a(PQKBTitleCode)TC0000671684 035 $a(PQKBWorkID)10625114 035 $a(PQKB)11492725 035 $a(MiAaPQ)EBC738809 035 $a(Au-PeEL)EBL738809 035 $a(CaPaEBR)ebr10486630 035 $a(CaONFJC)MIL319468 035 $a(EXLCZ)992670000000105961 100 $a20110817d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$a100 exercises to get you into drama school$b[electronic resource] /$fJona Howl 205 $a1st ed. 210 $aLondon $cA&C Black$d2008 215 $a1 online resource (129 p.) 225 0 $aMethuen drama 300 $aIncludes index. 300 $a"A Quarto book"--T.p. verso. 300 $a"Improve your acting and audition skills"--Cover. 311 $a1-4081-0132-7 327 $aCover; Contents; Introduction; About this book; 10 easy ways; Build your own fitness programme; Chapter 1: Posture; Chapter 2: Movement; Chapter 3: Voice; Chapter 4: Performing Text; Chapter 5: Character; Chapter 6: The Audition; Monologues; Index and Credits 330 $a'The book's main asset is its clarity and accessibility, it relates to its readers in a helpful and clear way.' John Gillett, actor trainer and author of Acting on Impulse. Competition for drama school is fierce, thousands apply every year for only a few places. Preparing well for your audition is key. This book gives drama-school hopefuls the inside track only previously available via professional coaches. It gives clear advice on improving acting skills through effective exercises in which voice, movement, text and character come together with a single aim: to pass that elusive audition and 606 $aActing 608 $aElectronic books. 615 0$aActing. 676 $a792.028 700 $aHowl$b Jona$0932947 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461540903321 996 $a100 exercises to get you into drama school$92099803 997 $aUNINA LEADER 03189nam 2200589 450 001 9910511802603321 005 20191118111955.0 010 $a0-7556-9397-3 010 $a1-78076-284-4 010 $a0-85772-691-9 024 7 $a10.5040/9780755693979 035 $a(CKB)3710000000468464 035 $a(EBL)2192250 035 $a(MiAaPQ)EBC2192250 035 $a(OCoLC)919297221 035 $a(CaBNVSL)9780755693979 035 $a(EXLCZ)993710000000468464 100 $a20191118h20192015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aBeing gorgeous $efeminism, sexuality and the pleasures of the visual /$fJacki Willson 205 $aFirst edition. 210 1$aLondon [England] :$cI.B. Tauris & Co. Ltd,$d2015. 210 2$a[London, England] :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (242 p.) 225 1 $aInternational Library of Cultural Studies ;$v27 300 $aDescription based upon print version of record. 311 $a1-78076-283-6 320 $aIncludes bibliographical references (pages 214-223) and index. 327 $aIntroduction: Being Gorgeous and Feminism -- Part One: Sexuality, Gender & the Art & Erotics of Visual Extravagance. 1 Drop Dead Gorgeous ; 2 Skin Deep -- Part Two: The Pleasure of the Visual (Being Gorgeous and the 'Low'). 3 Crinoline & Cupcakes ; 4 Powder Puff & Beauty Spots -- Part Three: Bitter-Sweet Poetry (Being Gorgeous and the 'High'). 5 The Paradoxical Body ; 6 The Sensual Body ; 7 Pleasure, Violence & the Sensual Spectacle ; 8 Creative Spectatorship & the Political Imagination -- Conclusion -- Bibliography -- Index. 330 $aBeing Gorgeous explores the ways in which extravagance, flamboyance and dressing up can open up possibilities for women to play around anarchically with familiar stereotypical tropes of femininity. This is protest through play - a pleasurable misbehaviour that reflects a feminism for the twenty-first century. Jacki Willson discusses how, whether through pastiche, parody, or pure pleasure, artists, artistes and indeed the spectators themselves can operate in excess of the restrictive images which saturate our visual culture. By referring to a wide spectrum of examples, including Sofia Coppola's Marie Antoinette, Matthew Barney, Dr Sketchy's, Audacity Chutzpah, Burly Q and Carnesky's Ghost Train, Being Gorgeous demonstrates how contemporary female performers embody, critique and thoroughly relish their own representation by inappropriately re-appropriating femininity. 410 0$aInternational library of cultural studies ;$v27. 606 $aFeminine beauty (Aesthetics) 606 $aFemininity 606 $aSex role 606 $2Feminism & feminist theory 608 $aElectronic books. 615 0$aFeminine beauty (Aesthetics). 615 0$aFemininity. 615 0$aSex role. 676 $a305.42 700 $aWillson$b Jacki$01068664 801 0$bIDEBK 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910511802603321 996 $aBeing gorgeous$92553646 997 $aUNINA