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100   $a20160606d2015||||  u||            0
101 0 $aeng
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aLolita between Adaptation and Interpretation $eFrom Nabokov's Novel and Screenplay to Kubrick's Film /$fby Anna Pili?ska
210  1$aNewcastle-upon-Tyne :$cCambridge Scholars Publishing,$d2015.
215   $a1 online resource (152 pages)
300   $aDescription based upon print version of record.
311   $a1-4438-8049-3 
330   $aThis book offers a comparative analysis of three versions of Vladimir Nabokov's Lolita: namely, the original novel (1955), the script written by the novelist himself and published as Lolita: A Screenplay (1974), and Stanley Kubrick's film based on Lolita's storyline (1962). Kubrick's final product oscillates between adaptation and interpretation, as it draws from both Nabokov's novel and script, but also uses the improvisational talents of the cast, eventually rendering the director's firm auteurial hand clearly visible throughout the film. The book analyses how various additions and subtraction
608   $aElectronic books.
700   $aPili?ska$b Anna$0890748
701   $aNabokov$b Vladimir Vladimirovich$f1899-1977.?$0132657
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910461454203321
996   $aLolita between Adaptation and Interpretation$91989797
997   $aUNINA