LEADER 00961cam0-2200337---450- 001 990004238620403321 005 20130125133313.0 010 $a88-495-0106-4 035 $a000423862 035 $aFED01000423862 035 $a(Aleph)000423862FED01 035 $a000423862 100 $a19990604d2000----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $a--------001yy 200 1 $aDe Sanctis e il realismo$fFrancesco Bruni$ga cura e con postfazione di Elio Bruno 210 $aNapoli$cEdizioni Scientifiche Italiane$d2000 215 $a102 p.$d21 cm 225 1 $aLetteratura italiana$v21 610 0 $aDe Sanctis, Francesco 676 $a801.95 700 1$aBruno,$bFrancesco$f<1899-1982>$0327820 702 1$aBruno,$bElio 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004238620403321 952 $a801.95 DESA/S 5$fFLFBC 959 $aFLFBC 996 $aDe Sanctis e il realismo$9481194 997 $aUNINA LEADER 04024nam 2200733Ia 450 001 9910461428203321 005 20200520144314.0 010 $a0-19-756305-8 010 $a1-280-59411-X 010 $a9786613623942 010 $a0-19-992120-2 035 $a(CKB)2670000000151141 035 $a(EBL)886623 035 $a(OCoLC)778099343 035 $a(SSID)ssj0000612975 035 $a(PQKBManifestationID)11362756 035 $a(PQKBTitleCode)TC0000612975 035 $a(PQKBWorkID)10572052 035 $a(PQKB)10025248 035 $a(MiAaPQ)EBC886623 035 $a(StDuBDS)EDZ0002351204 035 $a(Au-PeEL)EBL886623 035 $a(CaPaEBR)ebr10534059 035 $a(CaONFJC)MIL362394 035 $a(EXLCZ)992670000000151141 100 $a20110316d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSurgical anatomy of the ocular adnexa$b[electronic resource] $ea clinical approach /$fDavid R. Jordan, Louise Mawn, Richard L. Anderson 205 $a2nd ed. 210 $aNew York $cOxford University Press$d2012 215 $a1 online resource (230 p.) 225 1 $aOphthalmology monographs ;$v9 300 $aAt foot of title: American Academy of Ophthalmology. 300 $aThis edition previously issued in print: 2012. 311 $a0-19-974426-2 320 $aIncludes bibliographical references and index. 327 $aCover; Table of Contents; Chapter 1 Forehead, Eyebrows, Eyelids, and Canthi; 1-1 Forehead; 1-2 Temporal Region Anatomy, Superficial Temporal Artery, and Seventh Nerve; 1-3 Upper Eyelid; 1-4 Lower Eyelid and the Eyelid-Cheek Junction Area; Suggested Readings; Chapter 2 Orbital Bones; 2-1 Overview of Orbit; 2-2 Orbital Walls; 2-3 Sphenoid Bone and Intracranial Compartments; 2-4 Apertures; 2-5 Orbital Margin (Orbital Rim); Suggested Readings; Chapter 3 Orbital Connective Tissue; 3-1 Overview of Orbital Connective Tissue; 3-2 Tenon's Capsule; 3-3 Anterior Orbital Connective Tissue Framework 327 $a3-4 Posterior Orbital Connective Tissue FrameworkSuggested Readings; Chapter 4 The Extraocular Muscles; 4-1 Origins; 4-2 Orbital Course of the Extraocular Muscles; 4-3 Insertions; 4-4 Nerves and Vessels; 4-5 Actions; 4-6 Accessory Extraocular Muscles; Suggested Readings; Chapter 5 Orbital Nerves; 5-1 Overview of Orbital Nerves; 5-2 Optic Nerve; 5-3 Oculomotor Nerve; 5-4 Trochlear Nerve; 5-5 Trigeminal Nerve; 5-6 Abducens Nerve; 5-7 Facial Nerve; 5-8 Autonomic Nerves; Suggested Readings; Chapter 6 Orbital Vascular and Lymphatic Systems; 6-1 Arterial System; 6-2 Venous System 327 $a6-3 Lymphatic SystemSuggested Readings; Chapter 7 The Lacrimal System; 7-1 The Secretory System; 7-2 The Lacrimal Drainage System; 7-3 Basic Nasal Anatomy; Suggested Readings; Index; A; B; C; D; E; F; G; H; I; J; L; M; N; O; P; R; S; T; U; V; W; Y; Z 330 8 $aAn appreciation of the anatomy of the eyelid, orbit, nasolacrimal system and periocular region is essential to understanding the variety of diseases and conditions that occur in these areas. Highlighting the improvements within the field, this monograph is organized into chapters covering the major adnexal structures and systems. 410 0$aOphthalmology monographs ;$v9. 606 $aAdnexa oculi$xAnatomy 606 $aEye-sockets$xAnatomy 606 $aAnatomy, Surgical and topographical 608 $aElectronic books. 615 0$aAdnexa oculi$xAnatomy. 615 0$aEye-sockets$xAnatomy. 615 0$aAnatomy, Surgical and topographical. 676 $a617.7/1 700 $aJordan$b David R.$f1956-$0946066 701 $aMawn$b Louise$0946067 701 $aAnderson$b Richard L$g(Richard Lee),$f1945-$0946068 712 02$aAmerican Academy of Ophthalmology. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461428203321 996 $aSurgical anatomy of the ocular adnexa$92137207 997 $aUNINA LEADER 03439nam 2200709 450 001 9910787706303321 005 20230801231729.0 010 $a3-05-006261-4 024 7 $a10.1524/9783050062617 035 $a(CKB)2670000000533700 035 $a(EBL)1348924 035 $a(SSID)ssj0001211400 035 $a(PQKBManifestationID)11832064 035 $a(PQKBTitleCode)TC0001211400 035 $a(PQKBWorkID)11221250 035 $a(PQKB)10949670 035 $a(MiAaPQ)EBC1348924 035 $a(DE-B1597)220936 035 $a(OCoLC)871775727 035 $a(OCoLC)953295732 035 $a(DE-B1597)9783050062617 035 $a(Au-PeEL)EBL1348924 035 $a(CaPaEBR)ebr10848985 035 $a(CaONFJC)MIL580075 035 $a(EXLCZ)992670000000533700 100 $a20140321h20122012 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe animated image $eRoman theory on naturalism, vividness and divine power /$fStijn Bussels 210 1$aBerlin :$cAkademie Verlag,$d[2012] 210 4$dİ2012 215 $a1 online resource (224 p.) 225 1 $aStudien Aus Dem Warburg-Haus ;$vBand 11 300 $aDescription based upon print version of record. 311 $a3-05-005949-4 320 $aIncludes bibliographical references and index. 327 $tFront Matter -- $tNaturalism and Animation: Pliny's Anecdotes on Art -- $tEnargeia as Epistemological Requirement and Rhetorical Virtue: Quintilian on Vividness -- $tCreation and Impact of Art, Literature and speech: Callistratus' on the statue of a Bacchante -- $tLife and Animation in Dance, Theatre and Spectacle: Lucian's the Dance -- $tCult statues at the Boundaries of Humanity: Plutarch on Supernatural Animation -- $tEpilogue: Erotic Reactions to Praxiteles' Cnidian Aphrodite -- $tBack Matter 330 $aMany Romans wrote about the belief that an image - a sculpture or painting, as well as a verbal description or a personage on stage - is not a representation, but the image's prototype or that an image had particular aspects of life. A first group of authors explained these believes as incorrect observation or wrong mental processing by the beholder. Other authors pointed at the excellent craftsmanship of the maker of the image. A third group looked at the supernatural involvement of its prototype, often a god. Together these discourses on the animation of images bring us to what intellectuals from all over the Roman empire saw as reprehensible or acceptable in beholding images as works of art or as cult images. Moreover, these discourses touch upon ontological and epistemological problems. The barrier between life and death was explored and also the conditions to obtain knowledge from observation. 410 0$aStudien aus dem Warburg-Haus ;$vBand 11. 606 $aSculpture, Roman 606 $aArt, Roman 606 $aNaturalism 606 $aSculpture$xTechnique 606 $aAesthetics, Roman 615 0$aSculpture, Roman. 615 0$aArt, Roman. 615 0$aNaturalism. 615 0$aSculpture$xTechnique. 615 0$aAesthetics, Roman. 676 $a938 686 $aLH 61020$2rvk 700 $aBussels$b Stijn$0963565 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787706303321 996 $aThe animated image$93690922 997 $aUNINA