LEADER 03754nam 22006972 450 001 9910461337103321 005 20151005020622.0 010 $a1-107-22119-6 010 $a1-139-08882-3 010 $a1-283-12751-2 010 $a9786613127518 010 $a1-139-09261-8 010 $a0-511-79329-4 010 $a1-139-09313-4 010 $a1-139-09210-3 010 $a1-139-09121-2 010 $a1-139-09030-5 035 $a(CKB)2670000000094076 035 $a(EBL)713070 035 $a(OCoLC)729167148 035 $a(SSID)ssj0000524242 035 $a(PQKBManifestationID)11349617 035 $a(PQKBTitleCode)TC0000524242 035 $a(PQKBWorkID)10560777 035 $a(PQKB)10598009 035 $a(UkCbUP)CR9780511793295 035 $a(MiAaPQ)EBC713070 035 $a(Au-PeEL)EBL713070 035 $a(CaPaEBR)ebr10476494 035 $a(CaONFJC)MIL312751 035 $a(EXLCZ)992670000000094076 100 $a20100628d2011|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aModernism and popular music /$fRonald Schleifer$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2011. 215 $a1 online resource (xx, 233 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-65530-7 311 $a1-107-00505-1 320 $aIncludes bibliographical references and index. 327 $aIntroduction: popular music and the experience of modernism -- Part I. Musical Modernism: Popular Music in the Time of Jazz: 1. Classical modernity and popular music; 2. Twentieth-century modernism and 'jazz' music -- Part II. Gershwin, Porter, Waller, and Holiday: 3. Melting pot and meeting place: the Gershwin brothers and the arts of quotation; 4. 'What is this thing called love?': Cole Porter and the rhythms of desire; 5. Signifying music: Fats Waller and the time of jazz; 6. Music without composition: Billie Holiday and ensemble performance -- Conclusion: popular music and the revolution of the word. 330 $aTraditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether. 517 3 $aModernism & Popular Music 606 $aModernism (Music) 606 $aPopular music$zUnited States$xHistory and criticism 606 $aJazz$xHistory and criticism 615 0$aModernism (Music) 615 0$aPopular music$xHistory and criticism. 615 0$aJazz$xHistory and criticism. 676 $a781.6409/041 700 $aSchleifer$b Ronald$0156180 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910461337103321 996 $aModernism and popular music$92475167 997 $aUNINA