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200 10$aModern music and after$b[electronic resource] /$fPaul Griffiths
205   $a3rd ed.
210   $aNew York $cOxford University Press$dc2010
215   $a1 online resource (475 p.)
300   $aDescription based upon print version of record.
311   $a0-19-974050-X 
320   $aIncludes bibliographical references (p. 425-439) and index.
327   $aCover; Contents; Prelude; 1945; 1956; 1965; 1975; 1989; 2001; Resources; Index
330   $aOver three decades, Paul Griffiths's survey has remained the definitive study of music since the Second World War; this fully revised and updated edition re-establishes Modern Music and After as the preeminent introduction to the music of our time. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reformation of compositional technique and in John Cage's development of zen music; in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies; in Karlheinz Stockhausen's de
606   $aMusic$y20th century$xHistory and criticism
608   $aElectronic books.
615  0$aMusic$xHistory and criticism.
676   $a780.9/04
700   $aGriffiths$b Paul$f1947 Nov. 24-$0893514
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801  2$bMiAaPQ
906   $aBOOK
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